Godzilla: King of the Monsters

Release: Friday, May 31, 2019 →Theater Written by: Zach Shields; Michael Dougherty  Directed by: Michael Dougherty  The sequel to Gareth Edwards’ Godzilla (2014) is undeniably a different beast, dispensing with its predecessor’s drip-fed action and methodical pacing for more direct, adrenaline-spiking payoff. Edwards had his chance to thrill us and apparently he botched it so in steps Michael Dougherty, theContinue reading “Godzilla: King of the Monsters”

The Commuter

Release: Friday, January 12, 2018 →Theater Written by: Byron Willinger; Philip de Blasi; Ryan Engle Directed by: Jaume Collet-Serra The Commuter is the fourth time director Jaume Collet-Serra and Liam Neeson have teamed up to deliver you the questionable goods. Sure, it was Pierre Morel’s Taken that discovered the fountain of ass-kicking youth within the 66-year-old actor, but it’s SerraContinue reading “The Commuter”

Special Correspondents

Release: Friday, April 29, 2016 (Netflix) [Netflix] Written by: Ricky Gervais Directed by: Ricky Gervais  I’m suspicious of any movie that literally ends with the line “This is like the end of a movie.” While exemplary of the meta flavor of comedy that’s been en vogue since at least the mid-2000s, that line is also symptomatic of aContinue reading “Special Correspondents”

The Conjuring 2

Release: Friday, June 10, 2016 [Theater] Written by: James Wan; Carey Hayes; Chad Hayes; David Leslie Johnson Directed by: James Wan The horror event of the year has arrived and no one is safe. Not the Warrens from nightmarish visions; not the British family whose home turns into a petri dish for malevolent spirits; not James Wan from criticism.Continue reading “The Conjuring 2”

The Judge

Release: Friday, October 10, 2014 [Theater] Written by: Nick Schenk; Bill Dubuque  Directed by: David Dobkin The honorable David Dobkin, who’s responsible for giving the world Wedding Crashers, presides over his very first drama and makes a relatively strong case for his continued exploration outside his comfort zone. Despite narrative clutter and a doggedly long runtime (almost two and a half hours),Continue reading “The Judge”