Release: Friday, December 5, 2014
Written by: Sam Esmail
Directed by: Sam Esmail
Comet can pretend it’s a once-in-a-lifetime event but the stars shone so much brighter in the universes it has been melded by, spectacular constructs like the intricate and heartrending Eternal Sunshine of the Spotless Mind and 500 Days of Summer.
Bearing the heartbreak of the former while resembling more of the latter’s narrative nonlinearity and sophistication, Comet isn’t exactly a bad film when comparisons to romantic dramas of that ilk occur so naturally. It’s just unfortunate there isn’t much beyond a different cast that distinguishes Sam Esmail’s work. Of course, the case could be made that his film pays homage but where exactly does one draw the line between dedication and duplication? A few colorful, creative scene transitions beautified by special effects don’t quite cut it for this
cynic reviewer. Oh, and the film is supposed to be set within a parallel universe. Although a bit hokey, that angle is one I can work with.
Prior to what is purported to be a spectacular meteorological event, Dell (Justin Long) bumps into the beautiful Kimberly (Emmy Rossum) as they wait in a line to access a park that will provide the ideal vantage point. Caught up in one of his verbalized streams of consciousness stating his lack of faith in humanity, as only a character played by Long can, Dell is saved from being hit by a passing car by the new girl. He spends the remainder of this evening pining after her, lamenting the fact she’s already spoken for by some guy who happens to look good but quite clearly has no personality. He decides the meteor shower can wait until he’s finished his stalking.
Comet then jettisons us out of this present tense and into another, one somewhere in the near future (this film covers a six-year period), where the two are now an intimate couple. Times haven’t changed so much as the dynamic of Long and Rossum’s interactions. We’re privy to heated arguments, weird phone calls, insults stemming from two people slipping out of love and into something more akin to hostility. Resentment. Chain smoking cigarettes becomes a motif. And Long’s character doesn’t become much more likable, though he is certainly interesting. This is probably one of his better performances, though it’s veiled behind pretentiousness and petulance. Conversely Rossum magnetizes with her quick wit and hipster glasses.
Then the narrative shifts yet again, sending us back into a place where things were more romantic. The story constantly moves and changes, with almost every scene introducing a different phase in the relationship. And the process is far from chronological. That the film manages to maintain our interest at all stems from an incisive, brutally honest script that lays bare all the faults — some of which are all too apparent and others that are created through the simple but terrifying passage of time — of a relationship that seems to have been contrived from the very beginning. Who shakes hands to formally kick off a relationship? Who does that?
Apparently this couple. Comet would be a memorable picture but — at the risk of repeating myself — it’s far too reminiscent of Tom and Summer’s experiences together and the slide into their own private oblivion. Whereas 500 Days of Summer justified its experimentation with practical structure (“500 days” prepared us for the inevitable) Comet seems to just drag on and on, never seeming to settle on a pattern or even pretending like one would make any difference. It’s a shame because the performances are strong, the cinematography gorgeous and emotions do run high. Truly, it’s difficult at times to believe Rossum is in fact not in a real relationship with Long but the director himself. (I’m sorry, was that a spoiler?)
Comet has its moments of brilliance but it’s a true challenge shaking the feeling of déjà vu. Of course, there are worse fates for a film steeped in a generally predictable and melodramatic genre.
Recommendation: Visually dazzling and capably performed, it’s frustratingly difficult to ignore Comet‘s contrived nature. For great performances from its two stars, I do recommend a viewing. But be advised, you probably should have a high tolerance for Justin Long. He tested my patience at times and there’s a good chance he will yours. Emmy Rossum is a newcomer to me and she’s a delight. I’d recommend it more for what she puts forth actually.
Running Time: 91 mins.
Quoted: “Why does it feel so impossible to let you go? It’s an addiction, you know. That’s all it is. It’s a biochemical addiction. It’s so stupid. If you think about it relationships are totally narcissistic. Basically, you’re just looking for someone who’ll love you as much as you love yourself. That’s all it is.”
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