Actor Interview: Aussie Paul Eenhoorn talks ‘Land Ho!’

Experienced Aussie actor Paul Eenhoorn was kind enough to take time out of his busy schedule to talk about his most recent role as Colin in last summer’s delightful and breezy buddy-comedy adventure Land Ho! The film tells the story of two former brothers-in-law, Colin and Mitch (Earl Lynn Nelson) who take a much-needed trip to Iceland to escape the humdrum of their daily lives back in the States. He also opens up about his experience in the industry, his move from Australia to Seattle and what it was like filming in Iceland.

Other notable performances of his include the titular lead in Chad Hartigan’s 2013 drama This Is Martin Bonner; as Hugh in the 2011 heist/adventure Rogue Saints; and as a Lead Detective in the controversial 2007 documentary Zoo. He’s known mostly for his affable, charming personas but he has had the opportunity to take a villainous part before and did so in the 2004 family comedy Max Rules.


Getting to visit different parts of the world to tell stories is part of the trade. You went all the way to Iceland to tell this one. I would imagine you enjoy traveling, would that be a fair assessment? Travel is the best but when you’re shooting all you get to see is locations and the road there and back. Most times that is at ungodly hours, but with Iceland we really hauled all over to get to locations. Some of which have untended roads after September so it was rough at time. Still you can’t visit Iceland and not love it.

What was it that caught your eye about this project? (If all it took was the fact you’d be getting to go to this exotic location, I wouldn’t blame you. . .) I wanted to work with Martha Stevens and Aaron Katz, they are the new wave of directors coming up. Plus the production company Gamechanger Films offered me a reasonable deal so how could I say no.

Beyond the distinct personalities, what struck me early on was the camaraderie you and Earl Lynn Nelson shared. It was as though you weren’t given a script and were instead improvising much of the dialogue. In fact, the exchanges were such that I was convinced you two had been life-long friends (despite the script having you play former brothers-in-law). Had you known Nelson before shooting the film or was it more of a ‘learn-on-the-go’ kind of experience? If you’re an actor in film you have to form that connection, with people you don’t know, otherwise it falls flat. I didn’t know Earl Lynn but we spent a weekend shooting the opening scenes and we did  Iceland a few months later . . .

One of the things that really made Land Ho! an enjoyable diversion was the unique and picturesque setting. With principal photography lasting a bit over two weeks and occurring in seven cities, including the capital port city of Reykjavík, I’d imagine the shoot introduced some challenges. What was the experience like? Were there any unique challenges of filming a movie there? It was a twenty day shoot with a couple of days off here and there. The main problem for me was that it was cold all the time. It was fall there. I pulled a muscle in my thigh and I couldn’t work it off. Basically the conditions were rugged and I wasn’t prepared for the cold at all . . .

Tell me a little bit about your character Mitch. Is he anything like you? Colin is introspective which I am at times but I’m more like Mitch in ways except I don’t do anatomy jokes . . . 

You hail from Australia but now are based out of Seattle. Has moving to the States opened up more opportunities for you? Do you have plans to return to Australia at any point? Seattle isn’t L.A. but then that’s good at times too. The quality of life in Seattle is more to my liking, And yes the U.S. offers far more opportunity than Australia I’m sorry to say. I will head back to Australia one day . . . it’s a great place to live.

Seattle is most definitely known for the iconic bands and musicians that call the city their home. I’ve visited a few times myself and have always been fascinated with how much of a cultural melting pot it really is, though I have never stopped to consider its influence on the film industry. Could you describe what it’s like living there as an actor? I’ve shot a lot in Seattle but I had to travel to L.A. to get my first break on Chad Hartigan’s film This Is Martin Bonner. L.A. is the center of the filmmaking universe though Seattle production values are fast catching up. I do other things to make money and I would rather do that close to home base than in L.A.

In the film Earl Lynn Nelson plays a rather outgoing man, a retired doctor looking to keep himself busy in retirement. I understand this role was his very first. What was it like working with him? He seems like a pretty easy guy to get along with. Earl Lynn is very consistent, you know what you’re going to get from him so that made my job easier, if you call shooting any film easy. He did do a few gigs with Martha Stevens before this one.

What was it that got you into acting? Any family influences? Nope. I started shooting television when I was younger, I was in a band too so I always knew I wanted to act. My mom was a ballerina so that may be an influence . . .

What does the future look like for you? Do you have any current projects in the works? We have shot the opening of my next film Pendulum and we will be playing that in L.A. in late October. We are looking for funding. It’s a totally different part from Martin Bonner and Land Ho! Which is a good thing I think. I have not seen the cut but we are doing a cast and crew screening the second week of October.

I would like to thank Mr. Eenhoorn for taking the time out of his schedule to talk to me. Be sure to keep an eye out for Land Ho!, which is now available to stream online or rent through several DVD vendors including RedBox. Meanwhile, I will be seeking out Pendulum in the coming months. 


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Photo credits: http://www.imdb.com; Paul Eenhoorn 

Non-Stop

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Release: Friday, February 28, 2014

[Theater]

In this episode, Liam’s on a mission to make sure one hundred and fifty million doll-hairs are transferred into the proper account otherwise. . . . .well, you can probably guess what the otherwise is.

This is another one of those instances where you can glean everything you need to know about the film — for the better or for the worse — just by taking a quick look at the poster. Does it catch your eye? No? Well then enjoy spending your time watching the Son of God movie this weekend, what looks to be a made-for-TV film that already seems to be faring much worse than this action-thriller.

Needless to say, this weekend isn’t exactly jam-packed with high-quality releases. Priorities are elsewhere, as are the great actors and actresses. Well, with the exception of a pair found in Non-Stop, a thriller about a packed flight that gets hijacked, terrorized and perhaps scariest of all, seriously Liam Neeson-ed.

Neeson and Julianne Moore together bring much-needed gravitas to a story that shoots first and answers questions later. But whereas the ‘shooting’ and suspense-building aspects are quite compelling, director Jaume Collet-Serra — and I love this — who is known for Unknown, as well as Orphan, doesn’t really know how to provide logical, inventive solutions to what is admittedly an intriguing puzzle, a veritable whodunnit at 35,000 feet.

When Bill Marks (Neeson), an experienced albeit troubled air marshal receives a series of threats via text message on a secure network on his 6-plus-hour flight to London, his blood boils. Now, instead of getting to join the Mile High Club with his cute seat-mate Jen (Moore), he has to jump into action to save the entire plane full of “innocent” passengers from impending doom. God, work is such a pain in the ass.

It’s a film in which anyone and everyone can and does become a suspect — most importantly, Bill Marks himself. It’s a film where trailers undersell the production and in this particular case, that’s a very good thing. Attention spans are likely to be held far longer than what the previews might suggest due to some surprising twists and turns throughout.

Unfortunately, this plane ride is rigged with one twist too many, and it’s the major one that really does some damage. As one expects from the Liam Neeson action vehicle, a fair amount of liberties are bound to be taken. To that end, Non-Stop falls short of the impressive 2008 thriller Taken, a movie where Neeson is given the green light to single-handedly slaughter half of Western Europe. It falls quite short of the bodycount of that film for sure, but surprisingly the implications of both situations are almost on par with one another, with Taken bearing only a slight advantage in that department as well. However, and to reiterate, the last twenty minutes of this pulse-pounder threaten to tear apart the film with some heavy-handed (and slightly awkwardly placed) political points and a discreditable reveal.

This isn’t one that you can easily separate from many time-conscious, white-knuckle thrill-rides but it does just enough to leave a somewhat lasting impression. It’ll be good for audiences who find themselves wanting some excitement in the earlygoing of 2014, but needless to say it’s going to be far better for Mr. Neeson’s wallet.

Now, who wants some frequent flyer mileage after seeing this? I’m giving all of mine away because I am sure as Neeson never stepping foot on an airplane again.

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3-0Recommendation: Fan of Liam Neeson? Appreciate taut suspenseful films that don’t drain your patience completely? Non-Stop delivers, despite the god-awful title. It is good at immersing the viewer in the experience of flying, so if you add any personal biases for or against traveling in a little metal tube at 500 miles an hour thousands of feet above the Earth’s surface, the experience only improves. This film was a nice surprise. Not great, but it will do.

Rated: PG-13

Running Time: 106 mins.

Quoted: “I’m not hijacking this plane; I’m trying to save it!”

All content originally published and the reproduction elsewhere without the expressed written consent of the blog owner is prohibited. 

Photo credits: http://www.impawards.com; http://www.imdb.com