TBT: Brink! (1998)

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As the summer season of filmgoing winds down (well, sort of. . .Guardians of the Galaxy looms around the corner this weekend, so maybe that’s a premature statement) my inspired posts have really ramped up! Today’s TBT comes at you not from the brain of. . .well, me. . . but yeah, from someone else. Someone else’s sick mind is responsible for today’s throwback. And I won’t mention any names (Keith), but suffice it to say — this man has a great taste in movies! I had almost forgotten all about these campy Disney originals, until now. So, he suggested this one and, for anyone who has seen this, I’m sure they’ll also wonder how I could possibly go without talking about

Today’s food for thought: Brink! 

Brink

Rolling brakeless since: August 29, 1998

[TV]

Ahh, Brink! Yes, the movie title with the mysterious exclamation point at the end, the one to this day I still don’t understand. I mean, why so excited? Everytime I write that title I sound more enthusiastic than I really should about a Disney channel original movie, but you know, whatever. #YOLO.

There’s a great many things yours truly does not understand, and this movie title, not to mention how inexplicably awesome the film itself actually was, are two more things I might as well add to the list.

I ain’t gonna fake it, brah. Brink! is a pretty damn cheesy movie, but it features some blasts of summer fun that time and again recall a much simpler, innocent time. The days spent careening down streets and heckling passers-by on the boardwalk can be recalled fondly for every Californian at home catching it on T.V. for the umpteenth time at 4 p.m. right after school. For those playing the long-distance game, who don’t live in California and who aren’t steeped in the rollerblading culture, it perhaps served better as a postcard from Venice Beach.

When a group of enthusiastic young in-liners led by Andy “Brink” Brinker (that’s not an awkward name at all) clash with a rivaling group of “professionally sponsored” skaters, Brink (Erik von Detten) is forced to decide who to skate for when given the opportunity to raise money for his family by joining Team X-Bladz, the über-serious and totally rad side of skating. But does he have it in him to sacrifice his friends and the simple joy of having fun while skating in order to make money? Dedicated Brink-sters tend to view this fairly asinine struggle as Anakin slowly joining the Dark Side. You desperately want him to turn back, to use reason and logic. Possibly, The Force, if necessary, to escape a lifetime of. . . well, selling out.

Of course, deep down Brink knows that “The Force” is just him having an identity crisis. He was once a passionate skater but now finds it necessary to use his talents as a way to financially help out his family. He betrays his bro’s (Brink, c’mon man), and he even endangers the life of one of them during a street race between himself and Gabby (Christina Vidal) when trying to prove who is the better downhill skater. If there really is a Dark Side in Disney’s eyes, it’s the whole selling one’s self out to corporate greed and uniformity. Ironically actual skaters view the world the same way. Unfortunately even the corporate-sponsored ones still have to fight for food, as the sport is not — as one might imagine — a highly-paid profession.

But enough of the practical talk, this is a Disney Channel movie throwback, for crying out loud. Enough with statistical probability of making it successfully in the industry (yes, the sport of rollerblading has garnered corporate sponsorship, despite what skateboarding might have you thinking otherwise), and enough with the damn comparisons to Star Wars. I just lost an entire paragraph to that metaphor. And about to lose another one to an explanation of why that was weird. Whatever.

At the end of the day, if you haven’t experienced the fast-paced, corny-as-corn action of Brink!, you’re basically missing out. And, brah, you have been for quite some time. The child in me who sat far too close to a television set still wants to think it was longer ago than 1998. Then again, that was well over a decade ago now.

fsrconc

Man, it’s gotta be a burden to possess a face that looks like that . . .

3-0Recommendation: I feel like if I need to recommend Brink! to my readers, I’ve already lost the race. You’ve either seen this one or you gave it a wide berth. I’m not really sure how some of my readers would go about even tracking it down out of curiosity now, unless they are comfortable with sifting through hours of mindless drivel on the Disney channel. Although, that might be a worthwhile sacrifice if you find yourself just curious enough.

Rated: NR

Running Time: 99 mins.

Quoted: “Whatever brah, let’s blade.”

All content originally published and the reproduction elsewhere without the expressed written consent of the blog owner is prohibited.

Photo credits: http://www.bustle.com; Google images 

30 for 30: The Price of Gold

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Release: Thursday, January 16, 2014 (Vol. II, Ep. 16)

👀 ESPN

Starring: Tonya Harding; Jeff Gillooly; Darin de Paul (narration)

Directed by: Nanette Burstein

Distributor: ESPN Films

 

****/*****

Why? Why? Why wasn’t there more security in the building at the time of the incident?

In this relatively high-profile documentary, we are entreated to an inside look into the lives of two gifted female figure skaters — Tonya Harding and Nancy Kerrigan — and how their worlds would ultimately intersect in dramatic fashion prior to the 1994 Olympic Winter Games, which took place in Lillehammer, Norway.

Academy Award-nominated director Nanette Burstein, whose filmography includes feature films such as Going the Distance, The Kid Stays in the Picture and a documentary spoof on The Breakfast Club called American Teen, takes on the responsibility of revealing the truth of what happened behind the curtains — literally — following Nancy Kerrigan’s practice skate session the evening of the U.S. Figure Skating Championships. Kerrigan, having barely left the ice, was assaulted by an unidentified man and clubbed across her right knee with a police baton, rendering her unable to skate for the competition and quite possibly for the upcoming Olympics.

ESPN’s latest 30 for 30 couldn’t have had better timing, what with the Sochi Games a mere three weeks away. Burstein’s work here is all the more impacting thanks to the (okay. . .yes, intentional) scheduling of its airing. Centering around an exclusive interview with Tonya Harding with a variety of other interviewees both current and past, The Price of Gold buries its head into the controversy and tries to establish who was responsible for the attack. It has other goals as well, such as verifying whether or not this could have been an attempt by Harding’s camp to improve her odds of winning the gold medal, and showing how this singular event came to be the catalyst for a resurgence in the event’s popularity.

The two skaters both came from humble beginnings — Harding much more so, as she was born into a poorer family that could barely afford her to go to the skating sessions she attended as a child. Her mother, an abusive alcoholic, never truly supported her daughter’s passion. Kerrigan, on the other hand, while certainly not from wealth, grew up in a slightly more privileged family and as the documentary expands, we get to appreciate the subtle differences in the two athletes. (Naysayers be damned, this is an athletic sport.) But Harding found it much more difficult to rise to the top in her sport as her reputation for being the skater from the wrong side of the tracks never really helped her image.

As Tony Kornheiser (a personal favorite sports analyst of yours truly) points out, figure skaters are the dainty, precious commodities corporate America is interested in seeing achieve Gold medal status, if only because they represent the red, white and blue. Nevermind the fact that these are extremely young girls pushing their bodies (and minds) to their absolute limits. With the Olympics being the largest stage imaginable for any competitor, the slightest sense of anything out of the ordinary occurring in the weeks and/or months leading up to the event potentially can spell disaster. No one could have seen anything like this coming, though.

There’s no special, winning formula to the proceedings. Its structure is quite linear. Tracing the developmental stages of these girls’ careers and their relative trajectories heading into the Games, the focus is primarily on Harding, seeing as though Kerrigan declined to be interviewed. Frequent cuts back to the chat with the 43-year-old reveal her reactions now to the events being described and depicted in archived footage in the meantime. One cannot help but feel that some part of her perhaps deserved what was coming. One does not get the strongest sense that this was an innocent skater terrorized by a media storm; yet one cannot dismiss the sense of sorrow they feel towards a woman caught in constantly abusive environments.

Her first marriage to Jeff Gillooly continued the pattern of physical abuse and emotional fragility — hardly the picture of a world-class figure skater. This image she carried with her became such a burden that when the incident occurred, her name was instantly linked to it. But, as it turned out, the national opinion wasn’t so prejudicial.

The Price of Gold is jam-packed with fascinating footage. Burstein has done quite a job assembling a story that nitpicks through what can only be considered one of the most controversial and bizarre occurrences in Olympic history. . .in sports history. Quite likely, there will never be a Games quite like the 1994 Winter Olympics again. However, she is lacking one critical piece of the puzzle — an up-to-date conversation with the other side: Nancy Kerrigan. Though it would be harsh to consider it a misstep considering Kerrigan’s understandable resistance to being thrust back into the spotlight and talking about her own blemished history — and the documentary can’t be considered biased because of this — the end product does suffer a little bit as a result.

Imagine the juxtaposition of these would-be conflicting interviews. The depth of perspective. We get a little taste of that from the footage taken back in the early to mid-90’s, but there is so much more to speculate about how these two people have grown and changed since. There are interviews from the Kerrigan camp (her current husband gets some camera time) but it’s just not the same. We have to believe Burstein tried her best to get her involved, but at the end of the day, The Price of Gold falls just short of gold and lands on the second-highest podium position because of one simple trip up.

Click here to read more 30 for 30 reviews.

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“Why? Why? Why?!”

Moral of the Story: For anyone interested in learning more about the backstory, The Price of Gold is quite valuable. It’s surprisingly digestible and enticing (particularly for sports fans who don’t necessarily buy into figure skating as a “legitimate” sport), with the interviews with Harding and others being at the top of the list of reasons you should see into this.

Rated: TV-G

Running Time: 78 mins.

All content originally published and the reproduction elsewhere without the expressed written consent of the blog owner is prohibited.

Photo credits: http://www.imdb.com