Tag Archives: #other

Just a Quick Thought: A Birthday Movie 18 Years in the Making

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What a pairing.

Figured I would take up a little space here and share the exciting news of having family in town for the holiday season. This is me with my Uncle Paul, sharing our first beer together — ever. The last time I saw my extended family was 18 years ago. My dad’s second-youngest brother has made his first trip to the States. He has come along with my grandmother, who turns 90 this year. She’s actually made her third trip over in the last five or so years — logging some 15,000 air miles in the process. 

Tonight at 9, to celebrate my birthday, Paul and I are going to re-enter the Matrix. I can’t tell you how cool this is to have this company. While the vast majority of the time I take in movies on my own, company always makes a movie better, especially an event film like this. The last time a Matrix movie was released (oddly enough, for as big a fan as I am I don’t remember the fact that Reloaded and Revolutions came out in the same year, in 2003) was only a few months after my last visit to England. So there’s this weird meta thing going on, what with the passage of time and not seeing familiar faces in so long. 

With that said, I hope everyone has a safe and enjoyable holiday season and that you get the time to see some good movies! 

Just a Quick Thought

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Well it’s been a minute. Actually it has been the longest stretch of no posting since the earliest days of the blog, since my “hiatus” from July 2011 until March 2012, a period that abruptly ended when I saw Todd Phillips’ Project X and felt compelled to go on the internet to complain about it afterwards.

While nothing dramatic like that is happening this time, I just wanted to leave a note here to let you all know that this blog is not, you know, shriveled up and dead.

I am unbelievably behind on movie watching. Keeping notes on any movies I have seen is useless because I think my writing hand is all defective and shitty. On the other, and less shitty hand, I think I am more okay with my blog falling apart for a couple months (or, indeed even for much longer) than I would have been if there were no pandemic.

But dear readers should know it has been my intention to return. A part of me certainly feels missing not being fully immersed or at least more engaged than I have been in the conversation around the latest movie news, releases and controversies. I basically can’t wait to get back in this room and bowl other people over with my opinions. 😀 So if you still feel like being the pins to this film blog’s 18-pound ball, keep your eyes peeled for more to come!

Thanks for sticking with me!

TRIVIA: Did you know that I have never seen the Jason Bourne movies? that’s right, i’m an idiot. I finally rectified that this month by watching the original trilogy plus the most recent Jason Bourne movie, skipping the non-canonical one with Jeremy Renner. 

When a Song Gets Bigger than the Movie: Shallow

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It feels like only yesterday the world fell in love with Bradley Cooper’s A Star is Born, the third and most recent remake of the classic ill-fated romance between two lovers in showbiz whose career trajectories are trending in opposite directions. Maybe it doesn’t feel like the two years it has actually been considering how thirsty the internet still is for that Cooper-Gaga hook-up IRL. Their rendition of their hit single “Shallow” at the Oscars that year helped calm exactly no one down. In Cooper’s modern update, one that changes the discipline from acting to singing/songwriting, Gaga takes on the role originally portrayed by Janet Gaynor in 1937 while the writer/director mimics Fredric March.

While it is always going to be remembered more for the doomed romance (as it perhaps should, for Cooper and Gaga give us an on-screen couple for the ages), you just can’t sleep on A Star is Born‘s soundtrack. There is so much quality music in here — actual musicianship, not catchy ear-worms (even though those are good too!) — that you basically get two forms of entertainment for the price of one. I could probably have chosen other songs to highlight here. Cooper’s opening rock anthem “Black Eyes” is a real barn-burner that kicks the movie off with some good energy. And Gaga’s “Always Remember Us This Way,” with its really beautiful vocal inflections layered on top of a haunting melody, is maybe the next strongest candidate.

However no song blew up quite like the sentimental ballad “Shallow,” which you could hear playing on any given radio station throughout the rest of the year and well into 2019. Written by Gaga, Mark Ronson, Andrew Wyatt and Anthony Rossomando, the lyrical content of “Shallow” is rooted at the very heart of the movie, with each character asking each other whether they feel comfortable being the person they are. The intimate duet received widespread acclaim from critics, landing at the top of many music charts across the globe and providing Gaga her first Oscar win when it took home Best Original Song at the 91st Academy Awards. It also snagged a Grammy for Best Song Written for Visual Media and a Golden Globe Award. Of all the things the movie does well, it is the fact that a song ultimately secured A Star is Born‘s lone Oscar win (out of a total of eight nominations) that proves what a massive success “Shallow” turned out to be.

Shallow (lyrics by Lady Gaga and Mark Ronson)

Tell me somethin’, girl
Are you happy in this modern world?
Or do you need more?
Is there somethin’ else you’re searchin’ for?

I’m falling
In all the good times I find myself
Longin’ for change
And in the bad times I fear myself

Tell me something, boy
Aren’t you tired tryin’ to fill that void?
Or do you need more?
Ain’t it hard keeping it so hardcore?

I’m falling
In all the good times I find myself
Longing for a change
And in the bad times I fear myself

I’m off the deep end, watch as I dive in
I’ll never meet the ground
Crash through the surface, where they can’t hurt us
We’re far from the shallow now

In the shallow, shallow
In the shallow, shallow
In the shallow, shallow
We’re far from the shallow now

Oh, oh, oh, oh, oh, oh
Whoah

I’m off the deep end, watch as I dive in
I’ll never meet the ground
Crash through the surface, where they can’t hurt us
We’re far from the shallow now

In the shallow, shallow
In the shallow, shallow
In the shallow, shallow
We’re far from the shallow now

Click here for more articles in this feature! 

When a Song Gets Bigger than the Movie: Stay Alive

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This one is for all the daydreamers and travelers out there who want to be anywhere but stuck at home right now.

The song ‘Stay Alive’ is one of several the Argentinian-Swedish indie folk singer/songwriter José González contributed to the soundtrack for The Secret Life of Walter Mitty, a 2013 adventure drama/fantasy starring Ben Stiller, Sean Penn, Kristen Wiig and Adam Scott. The movie is an amazing journey, taking audiences on a globetrotting adventure when Life magazine photographer Walter (Stiller) embarks on a search for a famous photographer whose work is to be included in the final print edition of the mag, which is about to transition into digital form. While a lot of critics were divided on Stiller’s direction and the whimsical, disjointed narrative, few took issue with the visual composition.

What’s more amazing than the cinematography and scenery is that, even after all these years, it’s the music that stays with me. Few soundtracks move me in the way The Secret Life of Walter Mitty did. Put together by Theodore Shapiro, it features, among others, Of Monsters and Men, Arcade Fire, Jack Johnson and David Bowie, so there is no shortage of inspiring songs I could have used here.

But ‘Stay Alive’ — and I do stress the fact this is the one without the gerund, because f**k The Bee Gees — is just one of those songs that marks a moment in time for me. From the opening piano keys and the ticking clock, through to the drum-fed crescendo, the poetic lyrics written by Ryan Adams and Shapiro and vocalized by González, it’s a quietly profound song that swells with great hope. It’s a meditation on life and love; a journey toward fulfillment that both compliments the physical journey Stiller goes on and transcends it. Indeed, this song captures the spirit of the movie best.

Then again, I have a propensity for being dramatic and often suffer delusions of grandeur so, I don’t hold it against anyone for not being moved in the same way.

Stay Alive (lyrics by Ryan Adams and Theodore Shapiro)

There’s a rhythm in rush these days
Where the lights don’t move and the colors don’t fade
Leaves you empty with nothing but dreams
In a world gone shallow
In a world gone lean

Sometimes there’s things a man cannot know
Gears won’t turn and the leaves won’t grow
There’s no place to run and no gasoline
Engine won’t turn
And the train won’t leave

Engines won’t turn and the train won’t leave

I will stay with you tonight
Hold you close ’til the morning light
In the morning watch a new day rise
We’ll do whatever just to stay alive
We’ll do whatever just to stay alive

Well the way I feel is the way I write
It isn’t like the thoughts of the man who lies
There is a truth and it’s on our side
Dawn is coming
Open your eyes
Look into the sun as the new days rise

And I will wait for you tonight
You’re here forever and you’re by my side
I’ve been waiting all my life
To feel your heart as it’s keeping time
We’ll do whatever just to stay alive

Dawn is coming
Open your eyes
Dawn is coming
Open your eyes
Dawn is coming
Open your eyes
Dawn is coming
Open your eyes

Look into the sun as the new days rise
There’s a rhythm in rush these days
Where the lights don’t move and the colors don’t fade
Leaves you empty with nothing but dreams
In a world gone shallow
In a world gone lean

But there is a truth and it’s on our side
Dawn is coming open your eyes
Look into the sun as a new days rise

Top That: Five Movies I Probably Shouldn’t Have Paid to See

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I just can’t help myself. I’m debating whether or not to go see The Impractical Jokers Movie in theaters. It seems like this should be an easy ‘no,’ right? Especially when there are some good options out right now (The Lodge; The Photograph; The Invisible Man). Yet I’m having trouble resisting.

For those who don’t know, Impractical Jokers is a hidden-camera, prank-based show that debuted on TruTV back in 2011 and features a group of lifelong friends — Joe Gatto, James Murray, Brian Quinn and Sal Vulcano — who basically go around making fools of themselves in public. The half-hour long show is structured as a kind of game wherein the guys challenge each other to do all kinds of ridiculous things in public, often involving random strangers who happen to be nearby. It’s pass or fail. Whoever ends up with the most failed attempts at the end of the day gets put through one final round of humiliation. It’s all in the name of good, silly fun of course. How they’re going to pull this off in a full-length feature film I’m not sure. I like these guys but do I enjoy their antics enough to sit in a theater for 90 straight minutes of it? Better question: Can I not just wait until this thing comes on TV? Aren’t these shows best enjoyed from the comfort of your couch?

This has spurred me into thinking about some of the other poor decisions I have made when it comes to choosing what to see in theaters. So here is a Top That! post dedicated to this very concept. We’re going to keep this simple, limiting my “mistakes” to a top five rather than ten. Tell me — what was the dumbest thing you’ve spent money on at a theater?

Jackass: The Movie (that’s 1, 2 and 3) (2002; ’06; ’10) You’d think I would have gotten my fill after one or two, but no. I did the trifecta (and I consider these all the same movie pretty much so this all counts as one item). Sometimes I really do miss being in high school. Back then it was fun to gather a crew together and go laugh at these buffoons basically destroying themselves in the name of low-brow entertainment. Even then though I found the law of diminishing returns quickly setting in as we got to 3. I still find it amazing how out of all of this nonsense Johnny Knoxville actually emerged with his body and brain intact enough to go on to have minor success acting in actual movies, some of which really play to his “strengths” as an “actor,” others surprisingly managing to contain him. The same cannot be said for the others, though. Like, I wonder if Chris “Party Boy” Pontius is still running around in his banana hammock.

The Spongebob Squarepants Movie: Sponge Out of Water (2015) All I remember about this sequel to the 2004 Spongebob Squarepants Movie is that the 3D design is the stuff of nightmares. And yet they made this weird design not just a part of the experience, but pretty much the movie’s raison d’être. The story culminates, as you might have guessed, in Mr. Squarepants and friends venturing out of their comfort zone and breaching the ocean surface as they track down Antonio Banderas’ “diabolical” pirate Burger Beard, who has stolen the secret formula for Krusty the Krab’s famous Krabby Patty. A girl I used to live next door to had all kinds of Spongebob posters on her bedroom wall, so it would have made sense if we had seen this thing together. But no, I made the really bad call of tripping out to this one on my lonesome. Why would I ever do this again?

The Simpsons Movie (2007) This totally unnecessary extension of America’s longest-running sitcom apparently came out in 2007. That means I was about 20 years old when I saw this in theaters — old enough to know better. To know my extremely casual fandom of the show probably means I won’t be getting much out of the movie. The plot finds Homer doing Homer things, polluting Springfield’s water supply and causing the EPA to put the town under quarantine. The Simpsons are subsequently labeled fugitives. The only thing I remember about this utterly forgettable event is Homer riding a motorcycle up the glass dome the EPA encases the entire town in, and dropping an explosive device in the very convenient opening at the very tippy-top. Hey, I may not have really cared for the movie but it was a major success, grossing $530 million worldwide and becoming, at the time, the highest-grossing film ever based on an animated show. There’s a happy ending for ya.

Fifty Shades of Grey (2015) In my review of this rather flaccid romance/mystery thingy, I described it as a car wreck. Well, I described the critical response as a car wreck. This really dull movie was the car. The notoriously troubled production bore itself in the final print. The performances are as stiff as Morning Wood. Jamie Dornan as Christian Grey and Dakota Johnson as Anastasia Steele have zero chemistry. The drama is listless and is paced like a snail. I went to see the cinematic adaptation of the book that had gained “global phenomenon” status because . . . well, I was curious. Needless to say, I didn’t do that again. I heard the sequels were even worse.

Movie 43 (2013) Arguably the worst movie I have seen since starting this blog in 2011, and among the first handful of reviews I posted. (Check it out here, if you dare.) The intensely negative buzz surrounding its release was not enough to stop me and a buddy from checking this out. Not for nothing, but this absolute dumpster fire of an “insult comedy,” one that inexplicably attracted a massive cast, became a conversation piece. “Can you believe how terrible that movie was?” I still can’t, actually, no. I lost respect for a lot of the actors involved here. I think we all did.

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Photo credits: Distractify; Amazon; IMDb

The Scarlett Johansson Project

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Indeed, it’s time to do another one.

What do you think of the choice?

Scarlett Johansson’s movies have grossed a total of $14 billion, making her the third-highest grossing box office star of all-time. That alone kind of makes her an easy choice for my next Actor Profile. Add to that the fact she stars alongside Bill Murray in one of my favorite movies of all time.

The native New Yorker is, of course, a stunningly beautiful movie star, but as her impressive résumé proves she’s far more than a sex symbol. As she moved into her late 20s (and now in her mid-30s especially) Scarlett’s been seeking out roles that are both strange and complex. Her striking canvas has been used in a variety of interesting ways. Her sultry voice somehow lent profound humanity to an advanced AI. It gave a jungle-dwelling cobra a certain hiss. She’s also proven herself capable of the more athletic acting gigs that are required when you sign on to the MCU, portraying Natasha Romanoff/Black Widow starting in 2010 with Iron Man Mark 2.* And 2019 was a particularly red-letter year for Scarlett, having become the first actress nominated for an Academy Award in both a supporting and leading role in the same year since Cate Blanchett in 2007. She’s fast become one of my favorite modern actresses and I’m really excited to share a few thoughts on some of her roles over the next year. I hope you are along for the ride!

For the first time here I’d like to open this up to my readers. I’m going to be selective with what roles I talk about — I can’t get to all of them unfortunately — but I’d like to hear what roles YOU think I should go with here. (Let’s ignore Black Widow, the Female, Kaa and Charlotte as I’ve already mentioned those above and they’re automatic shoo-ins.)

The Scarlett Johansson Project officially kicks off at the end of February — so please sound off in the comments ASAP!

* seriously, why wasn’t this the title? what a missed opportunity

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Photo credits: Giphy 

Just a Quick Thought: Remembering Kobe Bryant

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Sunday, January 26, 2020 has proven to be an extraordinarily difficult and surreal day for hoops and sports fans in general. I’d like to pause my movie reviewing for a second to remember basketball player Kobe Bean Bryant, who passed away a day after Lebron James, currently of the Los Angeles Lakers, passed him for 3rd place on the NBA all-time scoring list. As Saturday night turned to Sunday, we went from historic highs to tragic lows. To say this weekend has been an emotional rollercoaster would be an understatement. 

TMZ first reported the news that the former Los Angeles Lakers superstar and five-time world champion died in Calabasas, CA Sunday morning in a helicopter crash that left no survivors. He was 41. The total number of victims and their identities are, as of this writing, still unknown. [UPDATE: one of the nine victims has been identified as Bryant’s 13-year-old daughter, Gianna.] The cause of the accident is currently under investigation. Reportedly the private chopper was en route to a basketball practice in the Thousand Oaks area.

The loss is felt far beyond the NBA courts and even the sporting world.

Bryant leaves behind a legacy of brutal competitiveness and inimitable determination on the hardwood. One of the first players to go straight from high school to the pros, the prolific scorer racked up an astonishing number of accolades and achievements over a career that spanned 20 years, five NBA Championships (three consecutive) and two Olympic Games (where he won Gold with the Americans, 2008 and ’12).

Notable Mamba Moments include being named back-to-back NBA Finals MVP (2009, ’10) and making 11 All-NBA First Teams, nine NBA All-Defensive First Teams and 18 NBA All-Star Game appearances. He’s responsible for the second-most points ever scored in a single game, dropping 81 on the Toronto Raptors back in 2006 (sorry Jalen). In April 2016, during his final competitive game, a home stand against the Utah Jazz, Bryant peaced out by cashing in 60 in a hair-raising display of just what he is capable of. It was the kind of end to an odyssey that not even Hollywood screenwriters could have concocted.

The accolades didn’t stop when he unlaced his sneakers for the final time; in 2018 he won an Academy Award for Best Animated Film for Dear Basketball, a heartfelt tribute to the game he loved, lived, breathed and slept.

It’s a surreal day, even for someone like me whose relationship with Kobe was more described by admiration than passionate fandom. It’s sickening to think we’re in an era without the Black Mamba. That’s plain wrong. Not since the loss of flamboyant sideline reporter Craig Sager in 2016 have I felt a celebrity death so palpably, and it’s really kind of silly to even say I’ve been affected considering I’ve never had the chance to even be in the same zip code as these famous people. It’s just another stark reminder — not that I needed one four days removed from the four-year anniversary of my own mother’s passing — of the true fragility of life.

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Photo credits: Facebook; Twitter 

When a Song Gets Bigger than the Movie: Walking on a String

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‘Walking on a String’ — a collaboration between The National frontman Matt Berninger and solo singer/songwriter Phoebe Bridgers.

This song is featured in the Zach Galifianakis comedy Between Two Ferns: The Movie. It plays during a short scene where Team Two Ferns gathers at a bar.

I have been a fan of The National for quite some time, since my friend turned me onto their third studio album Alligator (2005) back in college. If Dire Straits’ Mark Knopfler were born in Ohio, you would get Matt Berninger. Their voices are uncannily similar. But then you add the ethereal beauty of Phoebe Bridgers to the soothing baritone of Berninger and . . . well, I’m sorry; I love Zach Galifianakis but this song is just so much bigger than the movie. It pretty much eclipses the movie by some measure, and to be clear I don’t mean that in the sense it became more popular but rather in terms of emotive power. But I prefer to think of it this way; I would have never heard this song if I never watched Between Two Ferns: The Movie.

Berninger: “[Zach] had an important scene in a honky-tonk bar in middle America and needed a band and a song and said I could do whatever I wanted. My wife Carin and I wrote the lyrics really quickly and I called Tony Berg to produce. I didn’t realize he was in the studio [with Phoebe] at the time but she graciously let me crash her sessions and that’s when we had the idea to turn it into a duet.”

Walking on a String (lyrics by Matt Berninger and Carin Besser)

The things you said are hanging in the middle of my mind tonight
I can’t turn them off
I try to worry for your soul but I forget to
All the time
I’m in a twisted web and I can’t pull my
Head from it

I think about you walking on a string
It always brings me back here
Into the garden
By the hand
You’ve always had me
Walking on a string

I knew that I was dead before you touched my lonesome skin
You’re never running out of ways to warm your way back in
I hang my head and feel the oxygen drain
I think about you walking on a string
And it always brings me back here

Into the garden by the hand
Anyone who knows what love is will understand
You’ve always had me
Walking on a string

In a web, I can’t escape it
You’ll always warm your way back in
To my lonesome soul and take it
You’ve always had me walking on a string

In a web
I can’t escape it
You’ll always warm your way back in
To my lonesome soul and take it
You’ve always had me walking on a string

Short, Sweet and Screamy: “Huluween” Reviews

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There’s no denying short films have gotten short shrift on Thomas J. I’ve got a few stashed away here and there (and here, too) but the overwhelming majority of my total output has been focused on feature-length productions. And why not? It’s very difficult to review a short film and not spoil it!

I’ve been given an opportunity to try my hand at it (again), what with the recent advent of Hulu’s “Huluween” Film Fest. (Apparently they did this last year, so this isn’t exactly news.) In the spirit of ultimate customer satisfaction, the streaming platform has inundated us with over 800 Halloween-centric titles, movies and shows alike, and have also curated a collection of seven short spooky stories made by up-and-coming indie filmmakers to get viewers in the spirit of Halloween. What follows are some brief thoughts of those offerings. I’ve sorted the reviews in the order in which I viewed them. See what you think. Have you seen any of them yet? What were your experiences? Which was your favorite?

Undo · 7 mins 9 sec · Directed by Nicole Perlman · An interesting moral conundrum — if you could reverse the flow of time and prevent bad things from happening, would you? I’m off on the right foot with this tense, atmospheric piece about a physicist who is celebrating a major breakthrough with his experiments when suddenly fate comes a-knockin’. Set almost entirely in the confines of his swanky urban home the premise is intriguing, the main character is appropriately strange and a little off-kilter, but some shaky CGI and pretty iffy acting in the moments that matter most take this one down just a peg. ***/*****

Swiped to Death · 7 mins 28 sec · Directed by Elaine Mongeon · Here’s a film that provides a surprisingly engrossing build-up — especially for me, he who doesn’t do the whole Tinder thing (and now I really won’t!) — and a duo of convincing performers making nervous/awkward/dark jokes prior to their late-night meet-up IRL. The story twists and twists again, rendering you occasionally psychologically disoriented but annoyingly the execution of its denouement really left me flaccid. ***/*****

The Ripper · 5 mins 49 sec · Directed by Calvin Reeder · Unfortunately there isn’t much going for this clearly low-budget short from Calvin Reeder. The premise finds one of the guitarists in an amateur metal band pressed to perform a solo, something his bandmate demands as they’ve already got a rhythm guitarist. Things take a nutty turn, the band’s superfluous second rhythm guitarist proving he indeed has some hidden talents but none that are particularly useful. The acting is bad, the special effects are even worse. I can’t even really say the “otherworldly” ideas driving the story are worth your time either, and at five minutes that’s rather pitiful. */*****  

Ride · 6 mins 46 sec · Directed by Meredith Alloway · Spin classes take on a sinister quality in this intense, colorful and energetic short about a young girl who, in trying to make new friends in a strange city, unwittingly signs up for the ride of for her life. Among the more effective shorts in this year’s crop, Ride pummels you with its style, the blaring music engulfing the viewer in a heady trip into the cult-like obsession of one scarily committed group of fitness junkies. Hey, if you can’t keep up, all you’re doing is slowing us down. A dark parody that’s a pure adrenaline rush. ***/*****

Hidden Mother · 5 mins 21 sec · Directed by Joshua Erkman · Subtlety is key in this highly effective and expertly crafted short film about a recently widowed mother receiving one of the creepiest gifts a sister could ever give you — a photo frame that apparently harbors the presence of a sinister spirit. If the conclusion is the measuring stick by which we judge a short film, Hidden Mother is indeed masterful. However practically every minute here is worth its weight in gold, the atmosphere and tension and the rhythmic, labored breathing making this easily the best of the bunch. ****/*****

Flagged · 7 mins 16 sec · Directed by Chelsea Lupkin · When a young woman takes a new position as a moderator for a major social media platform called FriendFollowers, she quickly realizes the job description may have left out some deadly details. Though professionally mounted — the effects here are certainly better than The Ripper — and the multiple locations give the impression the filmmakers are playing with a bit more money than their Huluween ’19 peers, ultimately the film collapses due to its muddled message. I think it’s meant to be a cautionary tale about blindly accepting jobs that seem “too good to be true,” particularly feeding on the insecurity of millennials desperate to secure that reliable 9-5 paycheck. But it could just as easily be a broad swipe at the internet and what it’s doing to us. I dunno. Next, please. **/*****  

The Dunes · 6 mins 21 sec · Directed by Jennifer Reeder · Gorgeously shot and cast with Hot Actors, The Dunes I can only pray to Pennywise was pitched as a comedy because that’s the net effect of this silly little romp. A young couple’s beach date gets interrupted by a disturbing presence, something pulled from The Conjuring universe but sans the creepy veil of shadows and darkness. In that way, the film does a decent job of creating and sustaining a sense of dread in the golden light of evening, but really there’s not much to see (or be scared by) here. **/*****

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Photo credits: http://www.bloodydisgusting.com; http://www.indiewire.com; http://www.syfy.com

The Marvelous Brie Larson

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I know she probably doesn’t much care for all this extra attention, but this I just have to do. Because, quite simply Ms Larson, you are Marvel-ous. Born in Sacramento, California in 1989 as Brianne Sidonie Desaulniers, she has driven herself to great success, with a foot in music as well as movies. She started studying drama at the ripe age of 6, going on to become the youngest student ever to attend the American Conservatory Theater in San Francisco. When she was 13, she landed her first record deal with Universal. Her first release came shortly thereafter, followed by a nationwide tour. My introduction to Brie Larson the actress came with the powerfully emotional indie drama Short Term 12 and within the span of those 90 brutally honest minutes I became a massive fan.

With the upcoming and highly anticipated MCU début of the one and only Carol Danvers, a.k.a Captain Marvel this March, starring Brie Larson in the title role (arguably her highest-profile role to date), I thought the timing was just perfect to dust off the shelves of this neglected little nook of Thomas J and do another new Actor Profile. (Check the submenus up top to find the other profiles I ran in years past, James Franco, John C. Reilly and Paul Giamatti!)

As has been the case in the past, the end game (wink) here is to bring more attention to the talent and personality of an actor/actress I really just can’t get enough of, and share the things I have loved about their work with others. The format goes a little something like this:

  • one role highlighted per month, beginning THIS MONTH!
  • an emphasis, if possible, on leading roles unless supporting role is a significant one (no restrictions per se on how much screen time they have, but, ideally, it’s more than 2 minutes!)
  • movies discussed will be (again, ideally) ones I have already seen, however additional research may be required to make the feature endure as much of the year as possible (I have currently about 8 roles I am pretty familiar with, with as many as 4 I need to get up to speed on)
  • posted at or around the end of each month (I am not yet sure what this means for upcoming 30 for 30 film reviews . . . I’ll improvise. Maybe)
  • uh, that’s it. I think

So, where oh where do I begin? I am open to suggestions. 🙂