After a monthlong delay prompted by my own disorganization, I am happy and excited to get into another new Actor Profile, this blog’s fourth such feature and the second to spotlight an actress. Check out the tab below the banner to access the others!
Born in Manhattan in 1984, Scarlett Ingrid Johansson is among the most recognizable faces in the film industry, no small thanks to her involvement in the phenomenally successful Marvel Cinematic Universe in which she portrays the spy Natasha Romanoff/Black Widow. It’s a role that has taken her to another level of stardom, though you could hardly call it a break-out role, as she had proven herself an A-list caliber actor long before that. It was in Sofia Coppola’s Lost in Translation (2003) where she made a big impression on me, her chemistry with Bill Murray cementing that film as one of my all-time favorites.
Though she describes her childhood as “very ordinary,” her extraordinary adult life seemed predetermined by birthright, hailing from a family of screenwriters, actors and producers. She caught the acting bug at a very early age, putting on song and dance routines for her family, who were supportive of her dream to become an actor. When a talent agent signed her brother before her, that desire only intensified. Her goals became more crystallized when she figured out shooting commercials was not her thing. So she enrolled in the Lee Strasberg Theatre Institute in Manhattan, circa age 8. Her first public performance was in an off-Broadway production called Sophistry alongside Ethan Hawke. She had a total of two lines of dialogue. Her first film role was in the 1994 adventure film North, directed by Rob Reiner, and the first time she garnered awards attention was for her performance in Terry Zwigoff’s adaptation of Daniel Clowe’s graphic novel Ghost World (2001).
The role I’ve chosen for this month is one of her absolute best. And quite possibly one of the most difficult for me to approach since I am not qualified to talk about the challenges that come with being married. I have also been very fortunate to have been raised in a stable household with two parents who remained together through thick and thin. Yet I appreciate that a lot of marriages don’t carry out that way — in fact the divorce rate in America is alarmingly high, third highest of any country in the world. But I do know a good performance when I see one and this powerfully emotional showcase is legitimately one of the best I’ve ever seen from anyone since I started really paying attention to the intricacies of filmmaking.
Scarlett Johansson as Nicole Barber in Noah Baumbach’s Marriage Story
Role Type: Co-lead
Premise: Noah Baumbach’s incisive and compassionate look at a marriage breaking up and a family staying together. (IMDb)
Character Background: One of the most impressive things about Baumbach’s screenplay is the balanced perspective. It does not “take sides,” but instead gives equal weight to both Nicole and Charlie’s concerns. Because this feature is about one actor in particular, I am obligated to focus on Nicole’s perspective.
The opening few minutes of what turns out to be an emotionally gory drama are precious. They offer a treasure trove of insight into who Nicole is, particularly on a personal level. Marriage Story begins with her husband Charlie (Adam Driver) listing all the things he loves about his wife. Importantly there are a few honest criticisms sprinkled in amongst the compliments: “She makes people feel comfortable about even embarrassing things. She really listens when someone is talking,” though “sometimes she listens too much for too long.” She’s “a good citizen” and a very present mother. She gifts interesting, thoughtful birthday presents — a trumpet for Charlie to help him expand his creativity. Then there are the big things, such as the sacrifice she’s made in forgoing an acting career in Hollywood in order to help Charlie mount his avant-garde plays in New York, where she’s become her husband’s favorite actor.
Professional ambition is what fractures the relationship: Nicole, a former teen film actress, aspires to step out of the shadow cast by her husband. Once the love of Charlie’s life, it has become increasingly clear to Nicole his own obsession with preparing for Broadway has blinded him to his wife’s own career goals.
What she brings to the movie: From a young age Johansson had a passion for musical theater, and Nicole allows her to tap into her early professional experience as a stage actor. There’s a tremendous amount of range in this Oscar-nominated performance, from the nuanced expressions of remorse, resentment and anger to the more dramatic and demonstrative (see the scene below). There’s a level of physicality to the performance that I think is underrated.
In her own words: “What I was so attracted to and what I could relate to in this was actually what remains between the characters, which was a lot of love. It actually felt very much like a love story to me, which of course is heartbreaking but also so much more poignant than a film about two people who have just grown to hate each other, because that’s not really what this is about.”
Key Scene: The argument scene is undeniably one of the best in the whole movie. It’s probably THE scene everyone remembers, however it’s not my #1 choice because it’s really about the couple. I wanted to feature the scene where Scarlett Johansson goes on a long monologue when her character meets Laura Dern’s lawyer, Nora, for the first time. Because it’s not only a triggering event but one of the scenes where her character is opening up to someone else. Unfortunately I couldn’t find that clip anywhere.
Rate the Performance (relative to her other work):
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Photo credits: IMDb