Jojo Rabbit

Release: Friday, November 8, 2018

→Theater

Written by: Taika Waititi

Directed by: Taika Waititi

New Zealand writer/director Taika Waititi has always been the magic elixir to make things better.

Viago the vampire was one of my favorite characters in the frightfully funny comedy What We Do in the Shadows (2015). In 2017 he gave the MCU a whack of feisty, vibrant energy with Thor: Ragnarok. His goofy humor had the kind of impact that gets directors invited to do another one. He’ll release Thor: Love and Thunder in 2021. It’s also the mainstream breakthrough he needed to make his “anti-hate satire” possible, with Jojo Rabbit collecting dust on a shelf since 2011. If Ragnarok had not received the response that it did, all bets are off the ones cutting the checks would have confidence in the director pulling off a Nazi-bashing black comedy.

Loosely based on Christine Leunens’ 2008 novel Caging Skies, Jojo Rabbit is an undeniably heartfelt movie about how love, compassion and optimism can be the tools in fighting against hatred and prejudice. Similarly, Waititi’s infectious spirit and cutting wit are his most powerful weapons in combatting the cliches of his story. The fact and manner in which he plays Adolf Hitler — as the childish, imaginary friend of our embattled pretend-Nazi Johannes “Jojo” Betzler (Roman Griffin Davis) — is the defining characteristic of Jojo Rabbit. It’s certainly what gives the movie an edginess. He’s portrayed as a doofus with the maturity level to match the kid who thinks of the Führer as more mate than maniacal monster.

The native New Zealander is neither the first filmmaker to pair comedy with Nazism nor the first to receive flak for doing so. He is, however, the first filmmaker who identifies as a Polynesian Jew to not only don the ugly garb and horrendous hairstyle of the German dictator but to attempt to undermine his authority by playing him as a complete bozo. There are nuances to his performance that have been overlooked amidst the scathing criticism he’s faced by appearing to downplay the threat of Hitler. Au contraire, Waititi isn’t afraid of unleashing his character’s vitriol. As the story progresses his performance intensifies, becomes more bullying and scary.

Whether in front of the camera or behind it Waititi is conscious to balance the silly with the somber. There is persecution in Jojo Rabbit; however, this is not a movie about the Holocaust. Its scope is limited to what’s happening inside the head and the heart — the fundamentally warped psychology that enabled Hitler’s lapdogs to create systemic oppression that eventually culminated in one of the worst events in human history. If that’s not dark enough of a backdrop Waititi reminds us that children were not immune to Hitler’s hateful rhetoric. Yet he also gives us hope by suggesting that a child, unlike a world-weary adult whose beliefs are more ingrained, is not entirely beyond saving.

When the impressionable Jojo is confronted with a unique circumstance he’s forced to reconcile what he has been indoctrinated to believe with objective, observable reality. His mother Rosie — wonderfully played by Scarlett Johansson — is part of a quiet anti-Nazi uprising and has hidden a teenaged Jewish girl named Elsa (Thomasin McKenzie), in the walls of their house. When he realizes he can’t spill the beans out of fear of being turned over to the SS — represented primarily by Stephen Merchant in a surprisingly scary capacity — he decides instead to use the intel he’s being fed by Elsa to create a pamphlet on how to identify “The Enemy.” After being dismissed from the Hitler Youth camp after a mishap with a grenade that left him slightly deformed, he will use this to impress his old pal Captain Klenzendorf — a weird role inhabited by Sam Rockwell, who plays the one-eyed Nazi as more bloke than baddie — as well as make himself feel as if he’s still involved in “the German cause.”

Naivety plays a big role in the movie. It’s the wrinkle that gives Jojo Rabbit‘s good-vs-evil trajectory more sophistication. The story is heartwarming and heartbreaking in almost equal measure, because you also look at Yorkie (Archie Yates), and wonder if his becoming a child soldier (albeit one who really has no business handling a rocket launcher) was really his fate. There are a lot of great performances in this time-worn tale of love ultimately triumphing over disproportionate evil. The real battleground in Waititi’s screenplay is not the inevitable blitz on the small town courtesy of the Allied Forces but rather the conversation between two youngsters on starkly opposite sides of a literal and metaphorical divide. The young actors are impressive with the way they trade barbs. It’s just unfortunate those heart-to-hearts come at the expense of McKenzie, who isn’t afforded anything approaching character growth and instead operates as a narrative device to make the could-be killer see the error of his ways.

Truth be told, Waititi loses a few battles along the way but ultimately wins the war. There are so many ways Jojo Rabbit could have gone wrong and probably would have gone wrong in the hands of a less capable and bold filmmaker. The big question surrounding his passion project (is this a passion project?) was whether he would be able to balance the disparate tones of drama and comedy in a story about Nazi Germany. I think he does that admirably.

“I think it’s best we Nazi each other right now . . .”

Recommendation: If you ask the chuckleheads sitting next to me in the theater who, on top of entering the movie ten minutes late, laughed at everything Taika Waititi said so loudly no one else in the room needed to, he’s absolutely the reason the movie is kind of a must-see, even if the story it tells is less interesting than the performances. Waititi = lovable. Hitler = not so much. 

Rated: PG-13

Running Time: 108 mins.

Quoted: “Now this is my kind of little boy’s bedroom . . .”

All content originally published and the reproduction elsewhere without the expressed written consent of the blog owner is prohibited.

Photo credits: Twitter; IMDb 

15 thoughts on “Jojo Rabbit

  1. Pingback: Month in Review: December ’19 | Thomas J

  2. Just read thru this again after watching it. Seeing my own comment was bizarre, my memory is so goddamn bad man!

    I must have been drunk, cos I didn’t even think of a possibility of people hating the guy for this movie. Sadly it doesn’t surprise me, but first Joker, now this (thought obviously a smaller scale) and even fucking SCORSESE got shit, and i KNEW he would months before, because the poor wittle females didn’t get enough lines. Ugh sorry to rant but this shit is really getting out of hand.

    Phew, my apologies again. One of your last comments summed it up perfectly imo – any other director wouldn’t have been able to juggle the different elements of this. The laughs did die down a little in the second half as the story became more serious, but the laughs during or after those more serious moments worked a treat.

    And his imaginary Hitler…. oh god, it was often so juvenile, but fucking HILARIOUS anyway. Dayum I need to start writing about this quickly on my own blog instead of your comment section!!!

    Merry Xmas dude =]

    Like

    • It does feel like an interesting conversation starter, doesn’t it? I have to say I’m not quite as big on it as maybe others are but absolutely this is an enjoyable movie.

      Liked by 1 person

    • Yeah I love looking for alternative movie poster artwork. This one comes courtesy of SG Posters, they came up with this one well after the release of the movie. I think it’s really cool too.

      Hope you enjoy the movie if or when you get around to it. It’s definitely interesting!

      Liked by 1 person

  3. Waaaaah!!! I wanna see this so bad!! The dude is from NZ we DESERVE a release!!! Hmph!! *crosses arms and frowns like a six-year-old*.

    This sounds so good. And hell this dude can even make a MCU film bearable and not just that but funny! That is a superpower right there!! 😛

    Liked by 1 person

    • Not to compound your frustration but I’m really surprised and frustrated for you that you guys don’t have it now or had it first for that matter. There’s a market there no doubt it will just be on the back end of the release I guess, which is weird.

      It’s worth the wait though. However you end up seeing it. I didn’t think of highly as it as some have been, I actually did not describe like half the niggles I had over the story here but whatever. It’s a good movie and, yeah, worth the wait for sure

      Liked by 1 person

      • I just love NZ humour, its not like anything else. Its close to Aussie humour but not as abrasive.

        What fucks me off is that we got Wilderpeople way before anyone else. But once he goes and directs a fucken Marvel movie, now he’s a big name and we don’t get JoJo till fucking xmas day. I guess that isn’t far away but its still frustrating. And I don’t even know if The Lighthouse will air here.

        I know I’ve blabbed about this and really should finish my piece on torrenting/piracy, but this sortra shit is why half this country pirate movies man. My bloody 60 year old dad does!

        But if I download it and dig it…. well, obviously I’m gonna bloody buy it! Like Ad Astra, I finally got a 4k player and this thing looks fucken ridiculously awesome! Looks better than cinemas it really does. Pity I don’t have 20 speakers!

        Sorry, another essay

        Like

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