Release: Friday, October 5, 2018
Written by: Eric Roth; Bradley Cooper; Will Fetters
Directed by: Bradley Cooper
Bradley Cooper has been a star for some time, but alongside the inimitable pop star Lady Gaga he seems to burn even brighter. Legitimately honing another craft within the framework of one of his best acting showcases to date, Cooper, aided by a beard, a guitar and a mic, manages to hit all the right notes, on both ends of the camera.
With A Star is Born, the 43-year-old isn’t exactly stepping out on a limb when it comes to finding a subject for his directing début. Famously A Star is Born tells of two careers in showbiz trending in different directions — one star rising as the other fades. The luminous Judy Garland beat Lady Gaga to the role by more than half a century (that film, although about a woman yearning to become a Hollywood starlet rather than a world-touring singer/songwriter, is the template I’m told this one adheres closest to) while Cooper shares a similar arc with the likes of Fredric March, James Mason and Kris Kristofferson in years past. So yes, the story Cooper is telling has already been told several times before, but that doesn’t mean his version has nothing to offer. The craftsmanship and character work make the movie worth savoring. That Gaga and Cooper make quality music together is the cherry.
In the 2018 rendition Cooper plays Jackson Maine, a big time performer who sold out stadiums in his prime and whose tired eyes and gravelly, baritone voice have seen and sung it all. Years of demanding tour schedules have taken their toll on him physically and mentally. Drugs and alcohol have become better roadies to him than his older brother Bobby (Sam Elliott). Each successive gig finds Jackson deeper and deeper into a bottle, until one night there is no more and he’s compelled to scout local dives to quench his thirst. As fate would have it, he stumbles into the same drag bar Ally (Gaga) spends much of her free time singing and dreaming of a different life. Worlds collide when Jackson is permitted a meet-and-greet. A deep connection is formed and instantly.
Nowhere is the evolution of a classical romance more apparent than in Cooper’s casting of Gaga as the meteorically rising Ally, who has been told ten times too many how people like how she sounds but not the way she looks. Mother Monster, as her fans call her, is of course the embodiment of a modern culture and a modern industry, a chameleonic performer whose flashy stage presence often obscures reality. Not that all the colorful accoutrement tell an untruth, but there is certainly a sense of dressing down, or a veil being lifted both in terms of wardrobe and in her performance as she confesses her insecurities to a sympathetic stranger. And it isn’t just in this first intimate moment, some of her own numbers at the piano (“Always Remember Us This Way”) feel like revelations in their own right.
The film features an assortment of impactful performances, evidenced by smaller but still significant supporting turns from the likes of Dave Chapelle as Noodles, an old drinking buddy who has cleaned himself up but still finds himself having to help a spiraling Jack out of the gutter, and Andrew “The Dice Man!” Clay as Ally’s father who once imagined himself a knock-off Sinatra. Still does. But none hog the gravitas all to themselves like the mustachioed Elliot as Bobby who is helpless, like Ally, to do anything about the demons that continue to plague his younger brother.
Quite honestly Elliot deserves an entire paragraph dedicated just to him. He is that good here and that voice of his always deserves more press. But this isn’t his show. This is unequivocally Cooper and Gaga’s time. A Star is Born dramatizes aspects of the entertainment industry, namely the tug-of-war between artists and their vision and managers/producers who have their own agendas, as well as the stresses of not simply finding success but trying to make it last. More fundamentally though this is a love saga and the enduring power of love. If there is any justice, this movie too shall endure.
Recommendation: A Star is Born is given a modern facelift with the innately likable Bradley Cooper and a revelatory Lady Gaga, and the results are surprisingly powerful. Beyond the professional fakery, the music is genuinely good. Who knew Rocket the Raccoon had such pipes?
Running Time: 135 mins.
Quoted: “Can I touch your nose?”
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