Release: Friday, August 31, 2018
Written by: Aneesh Chaganty; Sev Ohanian
Directed by: Aneesh Chaganty
Searching is undoubtedly among the year’s most pleasantly surprising discoveries. Featuring a unique presentation style that repurposes your local big screen as a 20-foot-tall facsimile of your own favorite personal devices, as well as a crucially sympathetic performance from star John Cho (of Harold & Kumar fame), Searching is an über-modern thriller that’s as technically impressive as it is emotionally involving.
You read me right. The internet-set Searching earns a Roger Ebert 👍👍. It’s hash-tag legit with the way it makes you 🤔 and 😮, effectively doubling as a police procedural in the age of social media-fueled misinformation and obscured identity. In it, father David Kim (Cho) engages in a desperate search for his daughter Margot (Michelle La), who disappears without a trace after attending a study group one night. A Detective Rosemary Vick (Debra Messing) is assigned to his case. She and her team will carry out the ground investigation, while a dismaying David is tasked with tracking Margot’s online activity for any potential digital leads.
Aneesh Chaganty’s first feature film proves nothing less than a feat of meticulous craftsmanship, one in which identity becomes the key search term. The story is fairly simple but the canvas is anything but basic — an ever-shifting landscape of multiple open tabs which expose everything from chat history to diary confessions to bank account anomalies. What David thought he knew about his daughter, who’s on the cusp of high school graduation and appears ready to take on the world, turns out to be woefully inaccurate as his necessary privacy violating offers a heartbreaking discovery process steeped in today’s en vogue communication tools — FaceTime, Skype, Facebook, Instagram and YouCast to name a few.
As the investigation heats up and earns national attention viewers are led down a dark, twisting path paved with red herrings and often culminating in frustrating dead-ends. The screenplay, co-written by Chaganty and writer Sev Ohanian, is intelligent and sharply focused. Limited as his physical appearance is, Cho rises to the occasion and builds an affecting portrait of a father way out of his depth. Learning on the fly the basics of life on the internet, David’s newbie status offers parents in the audience a fresh set of nightmares to contend with, simultaneously cautioning millenials over the dangers of volunteering up sensitive information about themselves to third parties. Importantly, this never becomes a lecture. All of these realities are seamlessly woven into the fabric of a genuinely gripping story.
As a film centered around relationships — arguably the lack of them — perhaps the most fascinating one is that which it establishes with us. Watching David’s face contort in anguish and confusion while Twitter users come out of the woodwork calling him a pervert and more besides, we find ourselves in the awkward position of being on the other end of a live stream in which we are unable to interact, try as we might. It moves us to commit major moviegoing sins like breaking out our phones and seeing what it is that we can do to help find the missing Margot. The drama is that authentic and that urgent. It inspires reaction to the point of interaction, and that’s a kind of depth paradigmatic films such as Unfriended and its sequel The Dark Web failed to tap.
Quite hash-tag honestly, it carries a profundity that a great many films fail to grasp, however they are presented. This is a must-see movie folks. 👏
Recommendation: Bubbling with emotional conviction and stuffed to every corner with detail, Searching is a beyond-impressive début feature from a man who knows a thing or two about what the internet can do (director Aneesh Chaganty used to work for Google). Judging this particular film by its cover/poster would be a rather unfortunate mistake in my view.
Running Time: 102 mins.
Quoted: “I didn’t know her. I didn’t know my daughter.”
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