A Quiet Place

Release: Friday, April 6, 2018


Written by: Bryan Woods; Scott Beck; John Krasinski

Directed by: John Krasinski

As a relatively newly minted father himself, actor-director-Scranton prankster John Krasinski seems to be sharing with us in his horror debut something deeply personal, an epiphany that has struck him, like it might another parent, as horrifying: There will eventually come a day when your children need you and you just can’t be there for them. Whether that is by way of natural order or unfortunate circumstance, it is an inevitability. It is this deep-seated yet commonly-held fear of failure that has given birth to A Quiet Place.

For a filmmaker who has confessed to generally avoiding consuming scary films, Krasinski seems scary natural at the craft. I was going to try and omit the horror label in my review — I find A Quiet Place more an acutely distressing survivalist thriller than a bona fide SCARY MOVIE — but then I had an epiphany of my own. Scary movie, survival thriller, those are semantics and phooey on them. A Quiet Place is just a good movie period, a delicious and consistent batter of chilling supernatural thrills and heartbreaking human drama, and a strong credit to a résumé that has heretofore touted lovable goofballs and hopeless romantics. That we learn through some rather nerve-shredding trials just how much of a family man Krasinski really is is a bonus.

His film, an original story first conceived in 2013 by Bryan Woods and Scott Beck which he later reworked himself, tells of a young family trying to maintain some sense of normalcy in their lives in a post-apocalyptic world overrun by terrifying creatures that hunt by sound. Krasinski stars as head of household and de facto frontiersman Lee Abbott, and in a bit of potentially gimmicky casting that quickly proves to be anything but, he casts his real wife Emily Blunt in the role of his tough-as-nails (pun not intended) on-screen wife Evelyn. Lee and Evelyn have three kids in tow, each played magnificently by the young actors — little Beau (Cade Woodward), middle child Marcus (Noah Jupe) and eldest Regan (deaf actress Millicent Simmonds).

In the aftermath of some unexplained catastrophe life is now governed by one simple but vitally important rule — keep as quiet as possible at all times. This is more a family policy as we don’t meet very many strangers, but we can assume the same applies to anyone who doesn’t wish to get eviscerated at 100 miles an hour. We can infer from an opening title card that it is the couple’s resourcefulness and determination that has enabled the family to navigate a strange and oppressive world for at least three months. Like the Abbotts’ daily routine, A Quiet Place is an exercise in restraint, and I was reminded immediately of this concept of rule-abiding and extreme isolation that was intensely focused upon in Trey Edward Shults’ It Comes At Night — incidentally one of those modern titles that has encouraged Krasinski to give horror another chance.

A Quiet Place opens up at the pace of spilt molasses as compared to the chaos in which it concludes, but these first scenes are crucial in earning our sympathy. Krasinski’s meticulous planning is on full display as we are taken on a guided tour through the detritus of their humble community while the group endures a hair-raising tiptoeing from their farmhouse-cum-fortress to gather essential supplies. Credit the writing how a lack of detail with regards to the big picture actually enhances the experience while in smaller moments and individual scenes the complete opposite holds true — detail is everything. The gravel paths, color-coded Christmas lights, dinners and game nights on soft surfaces are little bits of consideration that generally offset Krasinski’s clumsier spells as director (his foreshadowing is pretty on-the-nose, for example).

Like the aforementioned primitive thriller of yesteryear, A Quiet Place relies heavily upon its technical department to evoke mood. Krasinski differentiates himself by doubling down on aural stimulation, nearly gutting the screenplay entirely of spoken dialogue and having his characters communicate largely through sign language and simple gesticulations. This isn’t a technique employed just to give agency to Simmonds’ character, whose deafness eventually becomes vital to the plot, but it is a matter of practicality that brings attention to all the ways in which we take verbal communication for granted.

Admittedly, the brilliant sound design is likely what audiences will leave the theater talking about more than anything. It makes sense. Like Mike Flanagan’s Hush, a home invasion thriller that debated whether an immunity to sound works to one’s advantage in situations that require heightened sensory awareness, silence becomes a character unto itself in A Quiet Place. Yet it becomes something more than just a theme park attraction. Here, silence comes in different forms — as punishment meted out by a frustrated child to their parents whose rules they perceive to be unfair; as the result of a physical condition that could well be the deciding factor in whether a character lives or dies; as the gut-wrenching aftermath of something or somebody lost.

The premise doesn’t boil down to much beyond good guys outwitting (or flat-out avoiding) their nameless and faceless opponents in a stripped-down, neo-western setting. That is unfairly reductive to the point of being inaccurate, though. A Quiet Place offers a road map for nervous new parents who are trying to figure things out for the first time and find themselves struggling more often than succeeding. It is part coming-of-age for Noah Jupe and Millicent Simmonds, part-labor of love for a filmmaker who has come to appreciate the unique entertainment value of the genre, and a thrilling, surprisingly emotional adventure for the rest of us.

Recommendation: John Krasinski’s family values are things I came to admire in A Quiet Place. More pleasantly surprising to me was that he doesn’t smash you over the head with his sense of scruples. That element is absolutely there but in my view he isn’t asking anyone to side with him. In fact the whole point of the exercise is to challenge us and to make us question what we would do as parents in this situation. What would we do similarly? What would we do differently? And all-around strong performances from an innately likable cast only solidify A Quiet Place as a must-see film for fans of John Krasinski and Emily Blunt. 

Rated: PG-13

Running Time: 90 mins.

Quoted: “I love you. I’ve always loved you.”

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Photo credits: http://www.impawards.com; http://www.imdb.com

22 thoughts on “A Quiet Place

  1. I really enjoyed this too. One of those times where a critical darling goes on to become a box office success as well. (Black Panther was in that category too this year.) Definitely one of the high points in the first half of 2018.

    Liked by 2 people

    • Yeah and Black Panther was great as well! That was one of those where I stalled on a review and then never wound up doing one but man, that sits high atop my list of MCU favorites.

      A Quiet Place is a really nice surprise. This was the same kind of excitement I got when Joel Edgerton dropped The Gift (though granted that was also a legit début).

      Liked by 1 person

  2. Pingback: Month in Review: April ’18 | Thomas J

  3. Cracking film! I was really invested in the world of this movie. I like the points you make about parenting – I didn’t think about it like that. Nice one.

    Liked by 1 person

    • I know I have read several interpretations of the narrative, but that is what struck me most apparently. The world-building in this movie is really compellingly done. I loved all the ways the Abbotts went about sound-proofing their lives.

      Liked by 1 person

  4. I really liked this movie. Was completely on edge throughout most of it. Imagine a world where making a sound could mean the end? It’s a terrifying idea.


    • You should definitely venture into A Quite Place! I was very surprised not only by the quality of the movie itself but in my case the hype not spoiling my own enjoyment. I thought for sure this was destined to let me down a bit but no, I bought into this hook, line and sinker!

      Liked by 1 person

  5. I can’t blame it for being thin – I mean, it’s already much thicker than most horrors. Too much exposition and of course you’ve thrown off the balance of suspense. The more you explain, the less scary things are.


  6. Strangely enough, a while back I heard this was in works to be incorporated in the Cloverfield franchise. Not sure how that would have turned out…

    Anyway, nice review. Hoping to see this myself, I’m always up for a good thriller.

    Liked by 1 person

    • Wow, interesting bit of trivia there. I can’t imagine this as a Cloverfield movie, at least not with this cast. Too distractingly famous. But at the same time, its stripped down aesthetic feels like something that could belong in that universe. As it is, I think A Quiet Place is a nifty little movie, more thriller than horror in my book but really enjoyable.

      Liked by 1 person

    • Just my two cents, but if I were you I wouldn’t worry too much about what everyone else is saying. It is important that you do not discount your own opinion, and it is far less important whether it aligns with the popular thinking. You’ll make yourself miserable doing that, trust me! I know! Haha.

      I take your points about the family dynamic, and the relatively lax character development. I felt it could have used a slightly longer running time to flesh those things out, maybe even dive into an explanation as to what happened that caused all of this. I’m such a big Krasinski fan though so i think that helped me rise above the film’s shortcomings.


  7. Enjoyed how lean this was, technically impressive, strong performances.

    The question I kept on coming back to (and I think it connects to yours, or is essentially yours but phrased differently) is why would anyone want to raise a child in a horrific world? For a movie that is pretty lean and trim, this is a significant and relevant question to our world that seems to only get worse and worse and that doesn’t have a true answer. I’m not a father, but it’s something I think about every now and then once I’m ready to settle down.

    Even knowing that this world is a very dark place at times, I’m still committed to having them one day, which I think says a lot about most humans desire to communicate and love. Without it, what’s the real point of living?

    Liked by 1 person

    • It certainly felt like a personal movie for Krasinski. There was such a sincerity in his focus upon the family. I’ve read people who thought that wasn’t enough but it was enough for me. Krasinski smartly sets these questions about parenthood and children having to learn how to leave the nest against the backdrop of an apparent apocalypse. It is an extreme circumstance but he elucidates his fears clearly and compellingly in my book.

      Liked by 1 person

  8. Only a few critics–long beginning, not very interesting, predictable ending–I’m hoping to see it this evening. I love John an Emily, so predict I will like it much more than picking at its faults. Nice review and refreshing pictures, too, that I have not seen. Love the one of Mr. K. in the silo setting up the camera. What a nice debut for him as director!


    • Yeah I thought that was an interesting set photo, had to use it! And this really is a surprisingly confident horror film, though its not his debut. Hes had a two or three other credits, i think theyre comedies. The Hollars and Brief Interviews with Hideous Men. I’m curious to check those out too.


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