Release: Friday, March 10, 2017
Written by: Dan Gilroy; Max Borenstein; Derek Connolly
Directed by: Jordan Vogt-Roberts
Director Jordan Vogt-Roberts becomes the latest to cash in on the recent trend of indie directors gone Hollywood, going from The Kings of Summer to a blockbuster that reimagines the king of the apes in all its primal glory in Kong: Skull Island, a fun throwback to creature features of the 1960s and 70s.
In it, a group of intrepid explorers comprised of government agents, Vietnam vets and various other useful experts travel to a remote island in the Pacific on a surveying expedition. The mission runs into a bit of a snag when they encounter the 100-foot-tall hulking ape known as Kong, whose territory they have begun bombing in an attempt to “learn about the landscape.” His retaliatory action lays waste to a fleet of choppers, killing several of the hapless tourists in the process and scattering the rest across the prehistoric jungle.
Kong: Skull Island proves antithetical of its Monsterverse sister Godzilla in almost every way. The focus is on more beast, more noise, more general mayhem. Less on those little threads of humanity that made each encounter with the nuclear lizard back in 2014 that much more interesting. The characters here merely serve to get us closer to the action, which is appropriate considering what the artists over at Industrial Light & Magic have accomplished. Kong: Skull Island is a visual effects delight and it should be allowed to show off a little. Did you see the number of names listed in the Visual Effects column in the end credits?
The biggest mystery surrounding this movie involves budgetary allocations rather than Kong himself. This monster movie’s cast is monstrously huge and yet only a triumvirate seems required. John Goodman plays Monarch agent Bill Randa, a man just crazy enough to get Senator Richard Jenkins to help fund his monster-hunting habit. Goodman’s a pro and makes his part enjoyable. Then there’s Samuel L. Jackson as Lieutenant Colonel Packard who has been tapped with providing Randa and some of his friends aerial support to the island. Packard’s function is to be the overbearing alpha male who wants to drop Kong himself after that initial attack cost him some of his men. Turns out, Packard has left Vietnam but only in a physical sense.
John C. Reilly is the only other significant role player here. He’s arguably the only one that really matters. He plays a World War II pilot who has been stranded on the unforgiving island and has ingratiated himself with the native tribe that also happens to be hiding out there. Luckily, it’s John C. Reilly who is given a role that ends up carving out significant space within the narrative. In the manner that SLJ plays SLJ and Goodman does a great Goodman impression, Reilly is reliably himself. Collectively the three have enough acting chops to take on Kong themselves and make it a rollicking good time.
But then there are talents like Tom Hiddleston and Oscar-winner Brie Larson stuck in acting purgatory, filling supporting roles that could have gone to anyone. The former plays a British tracker and ex-military man here to say “You can’t bomb this island” and Larson’s pacifist photographer succeeds in annoying more than just the fiery Packard. Meanwhile, Toby Kebbell gets a slightly more robust part but the actors who played Dr. Dre and Easy-E in Straight Outta Compton are totally expendable. And apparently Thomas Mann had a part, too. Who else did I miss, Kevin Bacon?
Fantastical, formulaic and occasionally frustrating, Kong: Skull Island isn’t an adventure epic that’s built to withstand the test of time or particularly intense scrutiny but what it offers is good old-fashioned, smash-mouth entertainment. Buy the biggest bucket of popcorn you can — you’re going to need it.
Recommendation: Kong: Skull Island is a bonafide crowd pleaser with its big special effects, trumped-up 3D marketing campaign and a list of famous actors longer than your arm. It’s all a bit over-the-top but then again this IS a movie featuring a 100-foot-tall gorilla. And for those who lamented the way Gareth Edwards handled his monster movie, maybe Jordan Vogt-Roberts will be your new best friend.
Running Time: 118 mins.
Quoted: “I’m going to stab you by the end of the night.”
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