Steve Harvey reaching out to Warren Beatty after he was involved in what has got to be the most embarrassing SNAFU in Oscars history — and possibly of the actor’s career — strikes me as humorous for some reason. I know it isn’t funny, but what if there really is some support group for this sort of thing? Victims of Award Ceremony Gaffes Anonymous, does that exist?
Look, I’m not here to point fingers and perpetuate the blame game because, well, I feel as though a sufficient pall has been cast over Barry Jenkins’ legitimate victory and Jimmy Kimmel’s first Oscars hosting gig. Poor guy. It’s not like he was the greatest host ever — the highlight of his night is without a doubt his manipulating the pit orchestra in order to rush Matt Damon off stage as he was presenting, which was amusing but not good enough to make me stop missing Billy Crystal.
But Kimmel’s night was going really well and for it to end in such a bizarre and awkward way, it’s hard not to feel bad for the guy. Or just assume that M. Night Shyamalan had played a part. And we all know that while it was probably the decent thing to do to try and divert the awkwardness away from the presenters (does anyone know what country Faye Dunaway is now living in by the way?) and towards himself, we also know this was not his fault. A scheme like this would be too complex for Jimmy Kimmel to mastermind, anyway. Besides, I don’t feel bad for the talk show host in the way I feel bad for La La Land.
I suppose the good that came out of this “custody battle” — besides the fact that one of the most deserving films in recent memory actually took home top honors — was that we got to know a little bit more about La La Land producer Jordan Horowitz. It’s almost unreasonable how composed he was. How gracious in defeat he was. How sincerely his congratulations were offered to his competitors. I think there’s something we can all learn from the way he (and others) handled their situation.
I rated the two films differently but truth be told, and given everything that happened on Sunday, I think I would have been alright if the honor were shared between both films. That’s where the Academy really screwed things up. (Okay, I guess I am going to have to do a little scapegoating here.) Sure, PwC has taken the heat and rightfully so, but even if there were not enough trophies to go around on stage, I don’t know how you can allow for something like this to happen.
And it’s not like ties haven’t happened before, because they have. Six times actually. Six times a producer or director or cast member was spared the humiliation of being cut-off mid-acceptance speech because they hadn’t, in fact, any right to be making it. Of course, the way the 89th Academy Awards ended feels like a first. This wasn’t an example of indecision or voter fraud. This was an unprecedented production fiasco that unfolded in real time. To further troll the Academy and PwC, I’m really not sure if there could have been any protocol for this. And I really doubt there will be a ‘next time,’ so there probably never will be.
With the elephant in the room having been addressed, allow me to breakdown the categories that I featured in my preview post:
Best Picture (Winner: Moonlight)
What I predicted: La La Land
If I had it my way: Moonlight
Well, the cast and crew of La La Land certainly went skipping up on stage because for a fleeting moment, as I had predicted, life for them was but a dream. But oh man, how fleeting that feeling was . . .
On the bright side, Moonlight becomes just the second LGBTQ-related film ever, behind Midnight Cowboy in 1970, to win Best Picture. And it is the first time in Oscars history a film with an all-black cast has won the award. Just let that sink in for a second.
Directing (Winner: Damien Chazelle, La La Land)
What I predicted: Damien Chazelle
If I had it my way: Jeff Nichols, Midnight Special
No real surprise here. The art that lives within the 32-year-old director is undoubtedly unique and profound. For him to go from directing a film like Whiplash to La La Land in the span of three years is, well, the guys at Consequence of Sound said it best: it’s just baffling.
Actor in a Leading Role (Winner: Casey Affleck, Manchester By the Sea)
What I predicted: Casey Affleck
If I had it my way: Casey Affleck
Amazing. To go from being the architect of your own potential destruction to Oscar-winner in the span of a few months is about as crazy as #EnvelopeGate. When a sexual harassment scandal reared its ugly head once again in the lead-up the Oscars, it seemed Ben Affleck’s younger, smaller and generally awkward brother had the odds stacked against him. Not to trivialize the troubling story that has been following the actor for some time, but his work in Manchester By the Sea deserved the win. It is almost enough to make us forget that hey, Oscar winners ain’t saints. I said ‘almost.’
Actress in a Leading Role (Winner: Emma Stone, La La Land)
What I predicted: Emma Stone
If I had it my way: Amy Adams, Arrival
Emma Stone, you need not worry if I’m doubting the legitimacy of your win. Your work in the movie speaks for itself. Your ‘Audition’ scene took my breath away, and I never quite got it back. I’m so glad Leo didn’t have any trouble with his presentation, because the Oscar absolutely went to the right person this year. Emma Stone has further cemented herself as one of the most meteoric stars of her generation. Jennifer Lawrence, watch your back.
Actor in a Supporting Role (Winner: Mahershala Ali, Moonlight)
What I predicted: Mahershala Ali
If I had it my way: Daniel Radcliffe, Swiss Army Man
I love that in an era where Muslims are feeling more and more persecuted and marginalized in this country, one has just taken home Oscar gold. It feels something close to poetic justice, even if other artists this year have indeed suffered the effects of an unprecedented travel ban. I was introduced to Mahershalalhashbaz Ali as Remy Danton in Netflix’s brilliant political drama House of Cards. I was impressed right away. In Moonlight, his turn as an empathetic drug dealer who exerts major influence on the young Chiron early in the narrative, is enough to break your heart. But in ways you might not expect. It’s a stunning supporting turn, and a big part of the reason I thought Moonlight was able to reach some other psychic level that La La Land just couldn’t.
Actress in a Supporting Role (Winner: Viola Davis, Fences)
What I predicted: Viola Davis
If I had it my way: Viola Davis
Viola Davis was one of the only true locks for the evening, the other being the winner of Best Documentary Feature (congratulations to Ezra Edelman and O.J.: Made in America for a well-deserved but, yes, very inevitable win). So while I didn’t exactly jump for joy when Davis won, I was nonetheless psyched for the woman. The Oscar win identifies her as the first black actress to complete the Triple Crown of Acting. She has officially taken home an Oscar, an Emmy and a Tony Award for her scintillating work as beleaguered housewife Rose Maxson.
Animated Feature (Winner: Zootopia)
What I predicted: Zootopia
If I had it my way: Moana
Blah. Zootopia was good I guess, but this is becoming one of those movies where, the more I hear about it, the more I’m feeling disdain for it. Studio animations have this unprecedented burden of becoming message movies these days, so I guess that’s what the Academy was looking for this year. How many heavy, controversial issues can you jam into one colorful little narrative? That’s the competition. Me, personally? I would have taken anything over the contrived kumbaya of this Disney “classic.” Even The Red Turtle, whatever the hell that is.
Cinematography (Winner: Linus Sandgren, La La Land)
What I predicted: Linus Sandgren
If I had it my way: Emmanuel Lubezki, Knight of Cups
So you could look at the Best Picture fiasco two different ways. You could feel terrible that La La Land lost in the manner that they did, or you could look at them as being a production that simply missed out on lucky #7. Yeah, they were involved in one of the most egregious mix-ups in an event of this magnitude but they also walked away with SIX OTHER TROPHIES. Inarguably one of the categories they absolutely had in the bag was this one. Linus Sandgren’s ability to capture Los Angeles in a classically romantic, old-fashioned way while reminding the viewer that they are experiencing events in the present tense is truly astonishing. La La Land is a technicolor dream sequence executed to perfection. The iconic Griffith Observatory has rarely looked so good before.
Costume Design (Winner: Colleen Atwood, Fantastic Beasts and Where to Find Them)
What I predicted: Colleen Atwood
If I had it my way: Timothy Everest and Sammy Sheldon Differ, Assassin’s Creed
For a film that I actually never bothered to see I was really pleased with the final result. Though I really didn’t see any of the other nominees challenging the fantastic (sorry) and ornate wardrobe drummed up by the costume designer of such classics as The Silence of the Lambs and Edward Scissorhands.
Production Design (Winner: David Wasco and Sandy Reynolds-Wasco, La La Land)
What I predicted: David Wasco and Sandy Reynolds-Wasco
If I had it my way: Patrice Vermette and Paul Hotte, Arrival
I conclude my wrap-up with another fairly predictable result and La La Land‘s first Oscar win of the night. I could make the case for Arrival‘s ability to craft iconic imagery out of simpler elements being more impressive than what the Wascos (a husband-and-wife duo who worked on such films as Inglourious Basterds and Pulp Fiction) were able to achieve. After all, the latter were afforded the unique and historic architecture and landscape of metropolitan L.A., while Arrival‘s production design team were tasked with making the rural pastures of Montana seem eerie. But, call it what it is: La La Land is a gorgeously rendered production whose heart and soul is owed to more than just the infectious lead performances and a few jazz numbers.
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