Manchester By the Sea

manchester-by-the-sea-movie-poster

Release: Friday, November 18, 2016 (limited)

[Theater]

Written by: Kenneth Lonergan

Directed by: Kenneth Lonergan

A good movie offers escapism. A better movie makes us think. But some of the best movies don’t necessarily allow us the luxury of escape. They challenge us to face the world that actually includes us, holding a mirror up to our own realities and daring us to keep looking closer. Kenneth Lonergan’s Manchester By the Sea is one such movie, a stunningly perceptive drama that’s not only technically impressive but emotionally heavy-hitting as well. Despite almost unrelenting bleakness, it just well may be the year’s most relatable movie.

The titular town is not much more than a small port, a few fishing boats and about as many red lights; a crusty blue-collar town clinging to the Massachusetts coast hardened by more than just brutal winters. It doesn’t announce itself as a happening place, but for one man who once called this harbor home, everything that ever mattered to him happened here. In this most unexpected of places we will, through a series of devastating revelations, be reminded of a few brutal truths about the human experience.

The film pairs its creaky, rundown setting with subtle (but powerful) performances to effect an intentionally mundane aesthetic. It tells of a man named Lee Chandler (Casey Affleck) who reluctantly becomes his nephew’s guardian when the boy’s father (Lee’s brother Joe who is, confusingly enough, portrayed by Kyle Chandler) passes away suddenly. The premise may seem simple at first but it is pregnant with complexity and nuance. Lee leads a spectacularly unspectacular life in Boston, making minimum wage as a custodian for an apartment block. It’s perhaps not the most ideal line of work for someone trying to avoid people at all costs, but it’s pretty darn close. Aloof in the extreme and prone to violent outbursts, Lee is not a protagonist we immediately embrace. He’s actually kind of a jackass: spurning women’s advances and getting into bar fights because someone gives him the wrong look.

But there’s a method to the madness. Working from a screenplay he originally intended to be his sole contribution to the production, Lonergan steadily reveals layers to a character in a protracted emotional crisis. Flashbacks play a crucial role in the process. Lee is first evaluated as a worker, as a pee-on to the average white-collar Bostonian. A series of interactions Lee tries not to have with his clients — tenants whose lights have broken, whose toilets have clogged, whose bathtubs need sealant and whose goodwill is eroded by the man’s social awkwardness — gives us the impression Lee kinda just hates his job. But the bitterness runs a bit deeper than that. He seems to have a genuine disdain for the human race.

Manchester By the Sea uses flashbacks both as a gateway to the past and as our exclusive access into the mind of a thoroughly depressed individual. The cutaways occur incredibly naturally, manifesting as a sort of internal response to external stress. A visit with the lawyer to get his brother’s affairs in order proves to be a particularly sensitive trigger. What to do with the family boat, the house and other possessions, funeral arrangements — the whole headache rekindles feelings he would rather not have. This moment sends us on a trip down memory lane and into the drama’s darkest moments. What Lee has apparently been coping with for years — what ultimately drove a wedge between him and his wife Randi (Michelle Williams) — proves bitterly poignant.

On the other side of this flashback we view Lee as a different person. Not that our empathy is garnered in one fell swoop, but looking back, if we were to point to a specific moment when our perception started to evolve, it undoubtedly is this epiphany. It is here where we start to view his world through a much darker, cloudier lens. Back in his hometown and daunted by new, unexpected responsibilities — most notably looking after his nephew Patrick (Lucas Hedges) — Lee is also left with little choice but to confront his demons and try to stake a new path forward. But is he really up to the task? How would we deal with all of this?

Manchester By the Sea evokes its strongest emotional and psychological responses from its characters. The narrative certainly stimulates the mind, but the people are what appeal to the heart. Affleck plays a man who seems tailor-made for the actor’s unusual real-life persona. His controversial behavior in his private life (at least as of late) makes the transition into playing an emotionally unstable anti-hero a less surprising one. Gossip is pretty useless really, but is it not ironic Affleck has allowed a few of his own character defects to become things for public consumption in the run-up to the release of a film featuring a severely flawed character? Gossip is also useless because I am only assuming he’s fired his publicist. He’s probably done that in spite of claims that he “doesn’t care about fame.”

And this is stupid because all of this is just padding my word count. As is this.

Before my ADHD gets the better of me, other names are certainly deserving of what remains of this page space. Hedges and Williams in particular make strong cases for Oscars consideration. The former introduces a compelling new dynamic and the perfect foil for Lee’s anti-socialite. Popular in school, on the hockey team, a member of a garage band and currently juggling two girlfriends, Patrick is the antithesis of his uncle. He makes an effort to connect with others. Aspects of his personality and his attitude are going to feel familiar, but this is far from the archetypal teenage annoyance. Williams, in a limited but unforgettable supporting role as the estranged ex-wife, mines emotional depths equal to her co-star who is given ten times the amount of screen time. That’s not to detract from what Affleck has accomplished. Quite simply the actress achieves something here that’s difficult to put into words.

Manchester By the Sea uses one man and his struggle to speak to the melancholy pervading the lives of millions. The language of the film is pain, so even if the specifics don’t speak to your experience the rollercoaster of emotions, the undulating waves of uncertainty and despair surely will. And yet, for all the sadness in which it trades, Lonergan’s magnum opus finds room for genuinely affecting humor. Hedges often supplies welcomed doses of sarcasm to offset Affleck’s perpetually sullen demeanor. And it is surely welcomed, for if it weren’t for the laughs perhaps it all would have been too much. The best films know when enough is enough.

casey-affleck-and-kyle-chandler-in-manchester-by-the-sea

5-0Recommendation: Powerfully performed and confidently directed, Manchester By the Sea may on the surface seem like a certain kind of crowd-pleaser — perhaps more the critic-circle variety — but I’d like to think the film’s technical merits and the minutiae of the performances are what has drawn a 97% critic rating on Rotten Tomatoes. The story’s ability to make you empathize is worth recommending to anyone who appreciates a good story about “normal people.” This is a potent, vital film about the human experience and a testament to the indiscriminate yet seemingly random cruelties that life presents. 

Rated: R

Running Time: 137 mins.

Quoted: “I can’t beat it. I can’t beat it.” 

All content originally published and the reproduction elsewhere without the expressed written consent of the blog owner is prohibited.

Photo credits: http://www.impawards.com; http://www.imdb.com 

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25 thoughts on “Manchester By the Sea

  1. Pingback: #OscarsSoPredictable | Thomas J

  2. Pingback: The 2016 Digibread Awards | digitalshortbread

  3. I’ve read some bad reviews on this, but I’m totally with you on your opening statement. I could not agree more mate. Full marks eh? I’ll have to keep an eye out for this one, it’ll probably come out here in Feb

    This certainly sounds like a powerful movie man, you’ve got me very excited now!

    btw, I love your way with words dude. I’ve probably said it before but you really have a knack for exploring films in depth, and on top of that your writing is brilliant. You always make me feel like my work is terrible! 😉

    “pregnant with complexity and nuance” is just one example of how I love your way with words. Good stuff mate

    • Thank you for the kind words buddy. Thats really flattering. I find Manchester by the Sea to be very powerful. This an examination of life as it is, unfair and difficult as it may be. I really went in for it!

      • No worries man at all, just speaking the truth. I’ll have to keep an eye out for this one coming out at a small theatre near me. The way you describe some of it reminds me of Paterson

    • Yeah I have seen a few people haven’t been pleased with the pacing of the film or the fact that “nothing happens,” but to me it was so well-written and emotional I got through it and felt rewarded by it all. Casey Affleck has the Best Actor in the bag for me.

  4. Oh man; this was such a powerful movie going experience. Still sticks in the mind now, especially that heart-rending central scene when Affleck’s character returns home. Man, that was hard to watch because Affleck absolutely sold it. Brilliant review Tom; just great.

    • Safe to say I think Manchester By the Sea blew me away. I had a short list of films I was hoping/expecting to be great: it was this, Moonlight, La La Land, maybe one or two others that I’m now blanking on. Oh yeah, Fences. And maybe Jackie. But I won’t get to see Jackie I don’t think. Grrr…..

      Anyway, I wasn’t expecting Manchester to rise to quite the level it did. Simply sensational performances help elevate a mundane tale about tragedy and dealing with grief. Wonderful movie!

    • I try always to keep my opinion of the actor’s body of work separate from my opinion of the actor as a person. Here it’s eerie, though. It’s almost not a stretch to imagine Casey Affleck being sort of like this in real life. Part of me feels like that’s why his performance feels so real. But then again, every character in here feels real. It’s got my vote for the Original Screenplay Oscar!

      • Lol I love how his acceptance speech at the Golden Globes last night began with the words “Well, this is weird. . ”

        I think that about sums him up. Weird.

  5. Nicely done, Tom. This is a movie I’ve been looking forward to for a long time (I’ll have to wait until VOD, unfortunately). Are you working on a “Best of 2016” list yet? I’m already stressing over mine; just so many good movies this year!

    • Cheers Ryan, this is a real goodie. I mean I had heard so many good things beforehand maybe I was predisposed to loving it, but the performances are really tremendous.

      I am as a matter of fact, working together on a few lists as part of my end-of-year post. It’s surprising me how much trouble i’m having putting together some of it as so many movies this year have felt like let-downs, but you’re right. There have also recently been a slew of great ones. It shall be interesting!

    • Much appreciated. I’m pretty partial to this one; I love these sorts of films. Nocturnal Animals actually isn’t intriguing me that much. I don’t think I have much interest in sitting through a rape scene, which has become quite the area of focus in reviews I’ve read.

  6. Great review. I really want to see this film, it sounds exactly like my type of movie but I’ll have to wait until January for its U.K. release.

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