Release: Friday, August 19, 2016 (Netflix)
Directed by: Justin Krook
I’ll Sleep When I’m Dead, not to be confused with Mike Hodges’ British crime thriller starring Clive Owen, is a globetrotting documentary following around popular EDM deejay Steve Aoki as he prepares for the biggest show of his career. It promises a unique look at a unique life, but unfortunately it suffers from the same identity crisis nonpareils of iPod-shuffling-based music do. Very little about the piece ends up distinctive, much less memorable.
That’s a shame given the subject gives an altogether different impression. Aoki, born in Miami to fairly traditional Japanese parents Hiroaki “Rocky” Aoki and Chizuru Kobayashi, is a fountain of perpetual youth. One thing that’s apparent even to the uninitiated is his inability to stand still, to release his foot from the gas pedal as he continues jamming as many live performances into one calendar year as possible despite being nine years deep into a career one might reasonably describe as exhausting. The Guinness Book of World Records has him pegged as the planet’s most well-traveled deejay based on miles logged in the air alone. And in the live setting, where he regularly plasters raging fans with birthday cake (while he himself gets plastered by chugging whatever liquor he has handy), Aoki is a 21-year-old stuck in an almost-40-year-old body. Put simply, he’s an enigma.
Justin Krook is clearly an admirer. His film is concerned with all things Steve Aoki, slowly separating out the personal from the professional, but the profile doesn’t quite evolve into something truly compelling. You get this sense that the background checks — the majority of which boils down to a fairly stock E! True Hollywood story based upon artists who spent their lives trying to crawl out from the shadows cast by their parents — have been obligatorily stitched on, as if Krook knows the majority watching is far less interested in where Aoki comes from as it is in where he’s going next. The end result is a muddled assemblage of timelines both past and present that culminates in a unique (and, of course, massive) show that takes over the streets of L.A. in celebration of Aoki’s latest release, the double-album ‘Neon Future.’
I’ll Sleep When I’m Dead is at its most fascinating when talking Steve’s ultra-ambitious father. A wrestler-turned-restaurateur, Rocky seemed to live a life that was the stuff of dreams. As if founding popular Japanese cuisine chain Benihana wasn’t enough, Rocky became obsessed with pursuing high-risk outdoor activities like hot air ballooning over the Pacific and off-shore powerboat racing. The latter nearly killed him after a high speed accident under the Golden Gate Bridge in 1979, at which point he recognized his limitations. His refusal to provide his musically-inclined son any sort of financial support isn’t really surprising when you learn more about the man. The tension between Steve and his father becomes the quintessential story of self-motivation, despite a consistently supportive mother who never told her children not to follow their passions.
The film pulls interviews from a variety of industry staples, the likes of which might mean something to those who have immersed themselves in this cacophonous culture. They attempt to illuminate Aoki’s influence upon the scene but intelligible commentary becomes so obscured by empty descriptors like “fucking rad” and “epic” and “extreme” that it’s difficult to glean much of a message behind the words. The gist is that very few deejays work as hard as Steve Aoki. More so than his free-flowing hair, it’s his work ethic that has come to define him both as a person and as a professional. That’s pretty cool. I guess.
Recommendation: If you listen to this kind of music (I don’t, or at least not with any degree of regularity) you might get a kick out of this behind-the-scenes look at the life of one Steve Aoki. But even then fans might find it disappointing how hollow the experience is. After spending nearly an hour and a half with someone we should feel like we get to know that person but that’s just not the case here. Exclusively on Netflix.
Running Time: 79 mins.
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