Release: Friday, August 28, 2015
Written by: John Kåre Raake; Harald Rosenløw-Eeg
Directed by: Roar Uthaug
Norway’s official submission for the Academy Award for Best Foreign Language Film at the 88th Academy Awards failed to garner a nomination. While I would like to say it was their loss for turning away a disaster film that puts most Hollywood efforts to shame, it’s actually more like everyone else’s loss as well. Bølgen might have made waves (sorry) if it had been given the chance to take the stage along with the other international selections.
Alas, it wasn’t meant to be.
Though Roar Uthaug’s direction largely adheres to blueprints used in natural disaster staples from the ’90s like Deep Impact and Dante’s Peak, he separates himself considerably with a dedication to creating characters that matter in a place that feels lived-in and entirely authentic. He stands to look even better thanks in no small part to Kristoffer Joner’s durable and oh-so-likable lead. The production carries a palpable sense of raw, visceral danger and the dramatic backdrop doesn’t hurt either.
Bølgen is a dramatization of a very real, Mt. Vesuvius-esque worst-case scenario facing the quaint fjordland community of Geiranger. It suggests what could happen should Åkerneset, a particularly unstable mountain looming over the town, ever collapse into the water below. He envisions an 80-meter-high tsunami that spells the end for everything standing in its way. Locals would have ten minutes to get to higher ground. Into the drama he inserts an obsessive geologist who tries to sound the alarms before it’s too late.
There’s an element of predictability and sensationalism to Uthaug’s approach but it’s not of the bombastic variety you come to expect from the likes of Roland Emmerich. You won’t find many cheesy one-liners here that smack of screenwriting-by-committee, or overly sentimental speeches designed to impress audiences with their longevity, or romances that develop out of nowhere that go through hell and back before the second date even happens. The only thing Bølgen really borrows from big budget Hollywood is visual grandeur — vertigo-inducing aerial shots and sweeping pans that expose audiences to one of the world’s best-kept secrets. And even then, it’s the natural environment that does most of the work.
The film plods along at a fairly even keel, deliberately skimping on major drama before emphatically revealing its hand, after which we’re left to pick up the pieces of a shattered community. The first half starts off slower than the second. Kristian (Joner) has been a dedicated geologist in Geiranger for many years. Now he’s accepted a big job with a prestigious oil company in Stavanger, a major Norwegian city that will surely offer a stark contrast to the family’s peaceful days here. His wife Idun (Ane Dahl Torp) seems to be on board; his son Sondre (Jonas Hoff Oftebro), not so much. Daughter Julia (Edith Haagenrud-Sande) is too young to care.
We watch Kristian and the family preparing for their last day and saying their goodbyes. Kristian has a hard time leaving behind his fellow geologists, unable to shake the feeling that Åkerneset is about to cause problems. His former colleagues scold him for his obsession. He needs to stop acting like he still works here. Things might seem like they are moving slowly during the protracted introductory scenes in part because Uthaug dedicates a healthy chunk of the narrative to the perspective of Kristian’s former colleagues, each of whom show varying degrees of skepticism towards his claims that catastrophe is imminent. Bølgen may get a bit too science-y for some but genre geeks are going to appreciate the little things.
The film is universally well-acted with Joner leading the charge. He, along with Torp’s Idun, provide strong characters who are almost equal in their problem-solving abilities, a quality that largely lacks in many American disaster films. Watch Torp take action in getting the hotel guests out to safety, or the gut-wrenching fight she engages in with an aggressive man who’s just lost his wife, and more recently, his mind. All performances are treated with a sense of intelligence and respect that is far too lacking in movies, period.
Uthaug may not have been appreciated by a faceless committee but his somber and extraordinarily effective natural disaster thriller — the first in Norwegian cinematic history — is a force to be reckoned with and it is sure to find a spot on any genre enthusiast’s list. It’s certainly high up there on mine.
Recommendation: If you seek a disaster film that doesn’t treat you like you’re brain-dead, you might check out a little wild ride called Bølgen. (I suggest watching in Norwegian with English subtitles as it adds to the authenticity and I find that more often than not something is lost in the English overdub.) Filled with interesting developments, heartfelt performances and some impressive visual effects, this film never breaks free of genre tropes but it doesn’t have to when it handles them so well and brings more to the table besides. Highly recommended.
Running Time: 105 mins.
Trivia: Norway has about 5 million inhabitants and the film sold 801,232 tickets until the 4th Nov. 2015, therefore nearly every 6th Norwegian saw The Wave in a cinema.
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