'Anomalisa' movie poster

Release: Wednesday, December 30, 2015 (limited)


Written by: Charlie Kaufman

Directed by: Charlie Kaufman; Duke Johnson

Someone please give Michael Stone a hug. I’m starting an online petition to see if we can get Michael Stone just one good hug, because he really, really, really, really, really needs one. Either him or writer-director Charlie Kaufman, I’m not sure who needs it more. Anomalisa is perhaps the slowest trek through misery and loneliness he has yet made, and that’s even keeping in mind 2008’s Synecdoche, New York.

Very much like that epic slog, Kaufman’s latest, an experiment in stop-motion that feels very much overdue considering his offbeat and peculiar sensibilities seem tailor made for the style, is almost too cold to handle let alone enjoy. But it is something to admire and admire I did; I just wish I could put my arms around the thing and connect with it on the level Kaufman clearly wanted me to. The misanthropy is one thing; I can handle misanthropic characters. I often eagerly embrace them and go on to love them. It’s the monotony that really killed my enthusiasm over this technical achievement.

Michael (David Thewlis) is a successful customer service agent whose latest book ‘How May I Help You Help Them?’ has just been published. He’s traveling to Cincinnati to deliver a motivational speech to other service agents looking to boost their careers. At the same time he’s promoting the new book and . . . searching for a way out of his current marriage and domestic life, both of which have whittled his zest for life down to the bone. He becomes smitten by a woman he meets that is somehow “different” than everyone else — meaning, she’s the only other supporting character not voiced by Tom Noonan. (He is credited simply with the responsibility of voicing Everyone Else.)

Michael’s staying at the Fregoli Hotel. It’s a swanky joint whose odd name isn’t meant to merely induce giggles (although it is a pretty funny word); ‘fregoli’ is actually a social anxiety/disorder in which the sufferer sees everyone around them as the same person, voice and all. Michael seems to be experiencing that very delusion but it’s not clear at first whether this is just how this guy views Cincinnati — after all he already scoffs at the lesser intelligence of anyone else who happens to be in the room with him — or whether he’s suffering the effects of a psychological condition that’s gone untreated far too long — something he himself ponders often.

Anomalisa confines itself almost entirely within the walls of this hotel. The limited setting is successful in inducing boredom and cabin fever. We watch as Michael shuffles around, utterly disconnected from the world and disinterested in doing much beyond finding some ice cubes to put into a glass and make a drink. That scene takes approximately ten minutes to eventuate. After this he shuffles around some more, grumbling over the introductory remarks in his speech notes. The shuffling takes us on a tour of the Fregoli and its many oddities, including, but not limited to the hotel manager himself. (Again, Tom Noonan. Tom Noonan everywhere.) He also gets obsessed with tracking down old acquaintances that either turn out to be painfully awkward, generally unpleasant episodes or wild goose chases. All this running around while annoyingly doing nothing eventually introduces us and Michael to two adoring fans, a couple of local girls who somehow find the author a very interesting man.

One girl, a chatty blonde who is more outspoken than her considerably stranger and more socially awkward friend Lisa (Jennifer Jason Leigh), is saddled with, you guessed right, a man’s voice. Leigh Lisa stands out for her unique voice and face in a sea of sameness. Her demeanor is strange but beguiling, at least it is to Michael. To us she comes across a kind of simpleton with a knack for contributing to the film’s quota of depressing introspective soliloquies. Also, her voice eventually starts breaking into that of Tom Noonan. Nothing good ever seems to last.

Aha! We have struck a nerve. Temporary constructs like one-night stands are radically misconstrued for representing the start of something new, something fresh. Poor Michael can’t figure out how to even start spelling ‘h-a-p-p-i-n-e-s-s’ let alone experience it. Anomalisa is an exercise in wallowing in self-pity despite its billing as a dramatic comedy; Michael’s stuck-in-a-rut attitude feels more suffocating and hopeless than The Lobster‘s persecution of single folk. It’s certainly more uncomfortable. It bears all the hallmarks of a Kaufman think-piece, one that delves far beneath the surface of the kinds of conversations a great many screenwriters offer up. There’s no denying Anomalisa is uniquely his. But the lack of interesting material feels unfamiliar.

Michael, torn between leaving his family behind for a fresh new start and a responsibility to his son . . . oh wait, yeah that’s right. He doesn’t really seem to care about that either as he can barely muster the interest to speak with him on the phone for longer than five minutes. Yeah, forget this guy man. And almost everything about this really tedious, beautiful, boring, complex, ultimately off-putting experience.

David Thewlis and Jennifer Jason Leigh in 'Anomalisa'

Recommendation: “The most human film of the year,” maybe. But the most entertaining? Hardly. Charlie Kaufman has built a reputation for being a tough filmmaker to embrace and Anomalisa is just another solid example. It’s a film for the Kaufman purists I think. Unless you are a glutton for punishment and enjoy sitting through true downers, I have to say give this one the old swerve if you’re the least bit skeptical on the filmmaker. Damn. I really wanted to like this, too. So I’m kicking it an extra slice for the technical marvel that it really is. The stop motion is incredible, truly.

Rated: R

Running Time: 90 mins.

Quoted: “Sometimes there’s no lesson. That’s a lesson in itself.”

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18 thoughts on “Anomalisa

  1. I agree with your review Tom. The trailer looked good, and I love David Thewlis, so I was looking forward to viewing this film for weeks! But when I saw it, I found it dull and beating the audience with the same depressing message over and over the entire way. Good review! Matt 🙂

    Liked by 1 person

    • Hey thanks Matt. I so wanted to love this film! I have an on-and-off relationship with Charlie Kaufman. I like what he’s saying in many of his films but a few of them are just too cold to really embrace. This was one of them. At least it was for me. I know a lot of people who really went for it!

      Liked by 1 person

  2. Yeah, I’m with you on this one, Tom. I admired a lot from this latest Kaufman flick but, man, it was hard work. It’s was far too lethargic to fully embrace.
    I mean, I know the guys going through a mid-life crisis but I didnt have to feel like I was going through one just to understand him.


    • Haha! Man, that last line is the epitome of how I feel — I don’t want to have to feel ike I’m going through a crisis myself either just to understand the guy. Let’s get one thing straight though: Charlie Kaufman can write! Oh my god. He can write. But he can also be one depressing bugger. I think I draw the line at Anomalisa. This was such a drag for me.


  3. Interesting take man. Bummer you didn’t like it. I found myself really identifying with Stone, and realised that there are some things about my personality that aren’t all that great. That said, I can certainly see why people wouldn’t take to this.

    I also found it quite funny at times. Then again I have watched it many many times 😛


    • I regret watching this. Charlie Kaufman is one depressing filmmaker. Every time I watch one of his movies I feel like I want to kill myself


      • haha yeah he certainly doesn’t produce happy-go-lucky flicks! I’d suggest a revisit as it was so much better for me the second time around, but it sounds like this genuinely irritated you!


  4. I think your review is completely on the spot. It is not easy to watch. I used to be one of those people who like really depressing films, and could re-watch such movies as Requiem for a Dream endlessly. But, the depressing nature of Anomalisa wasn’t even the problem for me, I just could not relate to it at all – I could not feel any sympathy for the main character or anyone around.

    Liked by 1 person

    • Thanks. We’re completely in sync. I have put up with (even enjoyed) real downers in the past, and it wasn’t so much the down-and-out tone that got to me here. That didn’t really help though, but it was Michael Stone I couldn’t wrap my arms around. The guy needs a serious hug from someone. Plus the love story that’s in this movie is just a complete joke. I couldn’t believe that’s what ended up happening.

      Liked by 1 person

    • Thanks man, yeah I just wasn’t impressed with this at all. The guy is impossible to embrace. Impossible.


  5. I still haven’t seen this. It’s funny though, I have heard such drastically different takes on the film. It’s really interesting that something like this can pull out so many different reactions. A part of me feels I need to see it yet I can never muster the excitement.

    Liked by 1 person

    • I was really disappointed. I just couldn’t stand this guy whining the entire time. I completely get the critical adoration it has garnered as the film is a technical accomplishment and Kaufman once again is mining some profound themes here, but I just couldn’t connect. At all. Maybe you’ll have better luck!


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