Release: Monday, May 23, 2016 (YouTube)

[YouTube]

Written by: Shayne Kamat; Lorenzo Cabello

Directed by: Foster Vernon

The following piece is my latest contribution to Mr. Rumsey’s Film Related Musings. Thank you James for giving me the chance to talk about this new film student production.

Hell-Bent is clearly the product of film student passion and represents something of an experimental comedy, one that unfortunately becomes too silly for its own good and struggles to justify the half-hour runtime.

The premise is nothing if not inventive. It involves a writer named Michael (Justin Andrew Davis) working at a fictional magazine called Brimstone and who is struggling to find confidence in himself. When the editor makes available an assistant editor position Michael finds himself in a cutthroat competition with his fellow writers, namely the overconfident and unnecessarily bitchy Beth (Ashley Kelly) to get a pay raise. Goodness knows it’d make paying the rent easier for Michael.

He does a little poking around for any local stories of interest and quickly finds one. Turns out, the older lady who works with them has a pretty interesting private life. When he goes over to her house one day he discovers a pentagram drawn on her basement floor. Agatha (Leslie Lynn Meeker) casually explains this is where she summons up a demon whenever she needs some company. She demonstrates, speaking gibberish until actor Steven Trolinger, painted head-to-toe in red paint, pops up out of nowhere. He’s Ricky, and he’s evil. We know this because he has a really foul mouth and likes being a nuisance.

At first Michael is terrified but soon realizes he has the perfect idea for his next article. He’ll write about the “good in evil” that he’s found, and will go into detail about how one of Brimstone Magazine’s own has made a pact to be homies with the Darkness. Meanwhile, Beth is on an office tear and making fun of everyone else’s attempts to come up with their best story. It’s a matter of time before she publicly decries Michael’s story as garbage, too.

That she’s supremely confident the promotion is already hers leaves one wondering whether the overacting is an indictment of people in the industry or that it’s showing certain people just seem like they were born to go to hell (also see: Timothy J. Cox as the douche-mitten of an editor Mr. Bowers). The script may not exactly be subtle but it’s still not really clear which it is. Oh well, let’s just agree that everyone at work seems to suck; that Michael’s only real friends seem to be a woman who is friends with some of Satan’s crew and that the paint splattered on Ricky is pretty sloppy. (We can see it’s in his hair.)

Hell-Bent is written, edited and lensed by Fairleigh Dickinson University film student Shayne Kamat. Direction is provided by newcomer Foster Vernon. The whole enterprise has a loose comedic dynamic to it that helps us overlook the amateurish execution of plot and some cringe-inducing acting. It’s the kind of fun you have to take lightly and not think twice about, because the second thought will invariably draw attention to the limitations that a virtually nonexistent budget, one largely generated by the filmmakers’ IndieGogo fundraising campaign, ensures.

Recommendation: Hell-Bent is a strange experiment designed to parody genre features centered around the occult but it’s not very successful. It’s a short film that doesn’t have much of an identity but given the lack of experience both in front of and behind the camera, I can forgive it a little easier. Motivational and inspiring enough for students who are figuring out just what it is they want to with their careers but not much else.  

Rated: NR

Running Time: 26 mins.

[No trailer available, sorry everyone . . . ]

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