Last time we were here, Paul was rocking a sweet silver hairdo, the trademark of famed music producer Jerry Heller whom he portrayed in his second collaboration with director F. Gary Gray. Let’s actually take a look at his first experience working with him in the excellent crime/hostage thriller The Negotiator, where Paul takes on the role of a sniveling man caught up in the crisis as one of the hostages. I believe this was the first exposure I had to the actor, so there are two great reasons to check out this dramatic outing.
Paul Giamatti as Rudy Timmons in F. Gary Gray’s The Negotiator
Role Type: Supporting
Genre: Crime thriller/action/drama
Plot Synopsis: In a desperate attempt to prove his innocence, a skilled police negotiator accused of corruption and murder takes hostages in a government office to gain the time he needs to find the truth.
Character Profile: A two-bit con-man with a penchant for confrontation, Rudy Timmons finds himself amidst a tense stand-off between hostage negotiator Danny Roman (an excellent Samuel L. Jackson) who has been set-up by members within the Chicago Police Department, possibly within his own team, to look like a murder suspect. Rudy, a sniveling little dweeb, establishes himself quickly as among the more vocal of Roman’s hostages, insistent he be let free and get as far away from this situation as possible. Roman, unable to trust anyone, counter-insists that he stay right where he is. And in spite of rising tensions between him and the armed man whose credentials remain dubious throughout, Rudy finds himself playing a crucial role in getting to the bottom of this conspiracy.
Why he’s the man: While Paul may not factor into proceedings physically as much as the likes of his talented costars in Jackson, Kevin Spacey and David Morse, he nevertheless makes his presence felt. Ever good at playing that “sniveling little dweeb” type, Rudy’s transition from thorn-in-the-side to quasi-sidekick is exhilarating and that largely comes down to Paul G’s fairly solid grasp on the situation at hand here.
Rate the Performance (relative to his other work):
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