Elvis & Nixon

'Elvis & Nixon' movie poster

Release: Friday, April 22, 2016

[Theater]

Written by: Joey Sagal; Hanala Sagal; Cary Elwes

Directed by: Liza Johnson

Maybe it would’ve been too cheesy to use, but I was totally surprised when I never heard the line “Elvis has left the building.” But let’s get one thing straight: Elvis & Nixon is plenty cheesy, so it might have actually fit. I guess I have to move on now.

With two figures as iconic as The King and Tricky Dick filling the frame, Liza Johnson‘s decision to fashion a breezy, lightweight dramedy around them is, in hindsight, a sensible one. After all, she knows we’ve all come to listen in on a singular conversation, one behind closed doors. And since this isn’t Frost-Nixon she has no compunction to prop everything up on stilts for the stakes just aren’t as high here. There are barely any stakes at all, as a matter of fact. Despite that, Johnson’s aware of the remarkable position she’s in, able to use creative license as a way to get a foot inside the Oval Office on that day, December 21, 1970.

This infamous meeting took place prior to Nixon taping all of his conversations. No one knows what really happened. What was spoken about? What was Elvis trying to gain by meeting with the leader of the free world? How did he act? How awkward was Nixon? Most importantly, did Elvis thank him very much on the way out the door?

As the story goes, Elvis, disturbed by the deteriorating fabric of American society as drug abuse and stinging Vietnam protests swept across the nation, felt a responsibility to help in the fight against the counterculture. Call it counter-counterculture. He was into collecting police badges and was proud of the concealed firearms they enabled him to carry. All that Elvis lacked was a federal badge and the authority to actually go undercover as a “federal agent at large.” He felt his appearances in movies afforded him the art of disguise and he would be able to infiltrate schools without being recognized. So he sought approval first from the Bureau of Narcotics and Dangerous Drugs and when that didn’t pan out he requested a meeting with the President.

Elvis & Nixon is a film that lives and dies on its casting, which is both the film’s strength and its weakness. Michael Shannon certainly looks the part, donning the mutton chops (I don’t care if they’re not real, they look pretty good on him), the gold-plated necklace and rings. He’s got his collar riding high around his neck, and the ladies come swooning, flocking into whatever room he’s in just for a visual confirmation that “it’s him.” As to the Prez — fans of House of Cards are going to have to dial back their expectations of Kevin Spacey’s cinematic politician. Even while embracing Nixon’s relatively off-putting demeanor, Spacey is so stiff in the role you’d think he’s never played a man in such power before.

Those two are such consummate professionals the fact I could never see past the actors wasn’t an issue. If anything, it’s a treat being aware of performers working with material with this many implications, just to see what two of the greatest working actors today are able to do. That hand-slapping reflex test was improvised by Shannon, apparently. Of the two, Spacey is generally better because you could argue his awkwardness blends magnificently with Nixon’s persona. Shannon neither looks nor sounds like Elvis, though his soft charm and towering presence positively oozes The King of Rock’n Roll.

Supporting them is an impressive albeit random mix of recognizable names. Some, like Colin Hanks’ Egil “Bud” Krogh, fare better than others. Krogh is significant as he’d go on to be convicted for his role in the Watergate scandal, so it’s difficult to believe someone as innately likable as the son of Tom Hanks would have this potential to be so corrupt. Evan Peters plays another faceless White House employe — Dwight Chapin — and he barely registers. Worst of them all is Alex Pettyfer, Elvis’ close friend and confidante Jerry Schilling. Pettyfer prefers to sleepwalk rather than use charisma to get through. In a surprising twist, though, Johnny Knoxville seems to be taking acting a bit more seriously these days. He’s quite watchable as another member of the ‘Memphis mafia,’ Sonny West.

The film moves quickly, working from the outside in, providing glimpses of the powers that be, comfortable and in control in their respective spaces before the weight of inevitability obliges the editors to get to the good stuff, a dynamite, if not bizarre, twenty-minute scene in which Spacey and Shannon are allowed to unbutton and let loose. Weak supporting parts notwithstanding, Elvis & Nixon is a graceland for larger-than-life characters. It’s a movie where every actor has to fight in some scenes to be taken seriously, but hey, this isn’t heavy drama, so what does it really matter in the end as long as we have some fun with it?

Screen Shot 2016-04-23 at 9.47.59 PM

Recommendation: Elvis & Nixon turns out to be a very fleeting event. It essentially improvises one of the stranger moments in the Nixon presidency by giving us a visual of what happened behind closed doors. It’s a film for those looking for less intense Kevin Spacey and Michael Shannon-lite. That doesn’t mean that this is an altogether forgettable film, though. The fact that this very bizarre afternoon really happened is likely to stay with you for some time.

Rated: R

Running Time: 86 mins.

Quoted: “Who the f**k set this up?”

All content originally published and the reproduction elsewhere without the expressed written consent of the blog owner is prohibited.

Photo credits: http://www.impawards.com; http://www.imdb.com

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14 thoughts on “Elvis & Nixon

    • No denying how slight a film it is but once you get past the fact you’re not really going to be learning much more than beyond what you can glimpse from brief online browsing sessions, there’s a lot of fun to be had. I actually wasn’t quite as blown away by Shannon and Spacey in these roles either but in some ways it is refreshing seeing such intense actors dial it back a bit

  1. Hmmm! I was hoping for a bit more tension than this seemingly delivers but I’ll give it a go for the two leads alone. Nice work sir. I particularly like the line “Most importantly, did Elvis thank him very much on the way out the door?”. Haha! Class! 🙂

    • 😉 I feel like I owed it to everyone to sort of set the tone here with silly little remarks like that. Haha! Yeah, there’s no denying that Elvis & Nixon isn’t all that ambitious but once you’ve dropped your expectations a little, there’s a whole lot to like about it. It’s a fun, forgettable slice of historical comedy

        • It’s the most expensive way to run a blog, that’s for sure! Haha, knowing that you’re paying full price almost every time to get a post up about a movie. Don’t get me wrong, I love doing it, but I totally see why there aren’t more blogs around that have new releases all the time going up

          • I just write about the movies that I think will be interesting. Though saying that, I like to switch it up every now and then for good measure.

  2. This is the 2nd re-telling (to my recollection anyway) of the famed meeting between Elvis and President Nixon. The first being “Elvis Meets Nixon” in 1997. The subject seems to be rather thin to base an entire movie on, but then your review is so positive. I’m intrigued.

    • If it sounds overly positive then I probably could have dialed it back a little bit. This isn’t an extraordinary work of art or anything but it’s actually really entertaining for what it is

  3. I’ve been somewhat curious about this one–can’t get enough of Michael Shannon! The whole premise is random and I’ve been waiting to hear what you thought. 6/9 seems pretty generous. I can’t imagine there’s a much of a plot. Watching two great actors tackle two iconic personalities has to entertaining, doesn’t it?

    • I can’t get enough of the guy, either. He’s really up there in terms of favorites right now for me. The guy can’t put a foot wrong. This story isn’t so much about plot as it is about imagining what may have happened behind closed doors. The way Liza Johnson basically improvises things here is really pretty impressive. It’s fun

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