Last time we were here, Paul was being a real bastard to the beloved, but troubled Beach Boys singer Brian Wilson in the wonderful music biopic Love & Mercy. The character was another great demonstration of how unlikable the actor can become on screen, putting such distance (hopefully) between his on and off-screen persona with a suitably slimy and obsessive round-the-clock psychotherapist whose smothering practices eventually become the crux of the entire picture. Today we explore a character that might be even less likable and less redeemable, a nasty slave trader who plays a huge role in the fate of the film’s protagonist.
Paul Giamatti as Theophilus Freeman in Steve McQueen’s 12 Years a Slave
Role Type: Supporting
Plot Synopsis: In the antebellum United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery.
Character Profile: Despite the character’s name being a bit overkill (do we really need the irony of a slave trader being named ‘Freeman?’) he nonetheless plays a crucial role both in shaping the very uncertain future of free man-turned-slave Solomon Northup and his cold, businessman-like personality in trafficking people around epitomizes the very institutionalization of prejudiced thinking. A blue collar worker likely perceived by his peers as a decent, upstanding man, Freeman’s job is to determine where the slaves are to be sent when they arrive at Port New Orleans. Despite Solomon’s protests of being a free man who’s been abducted, Freeman slaps an entirely new identity on him, that of Platt, a Georgia runaway. It is Freeman’s gruff hand that steers Solomon/Platt in the direction of slave owner William Ford, by comparison a saint of a plantation owner compared to the one he is sent away to later, the vile Edwin Epps. 12 Years a Slave demonstrates a number of terrible wrongdoings but it is Freeman’s intervention in New Orleans that has one of the biggest impacts on his harrowing journey.
Why he’s the man: Paul Giamatti shoulders the weight of playing a despicable racist, a character who is by definition of their job a terrible person, with aplomb. I doubt any of the roles in 12 Years a Slave were easy to play but Giamatti’s slave trader is so vile he comes only second or third fiddle to Michael Fassbender’s Edwin Epps. That’s company you don’t really want to keep, but if you’re a solid character actor who thrives on the challenge of embracing difficult-if-not-impossible-to-like individuals, you do accept the challenge and become one of the most memorable notes in a symphony of powerhouse performances.
Rate the Performance (relative to his other work):
All content originally published and the reproduction elsewhere without the expressed written consent of the blog owner is prohibited.
Photo credits: http://www.contactmusic.com