Release: Friday, November 6, 2015
Written by: Bryan Shulz; Craig Shulz; Cornelius Uliano
Directed by: Steve Martino
In The Peanuts Movie, Charlie Brown is still (mostly) the center of attention and adults remain out of sight, except for the few who lend their voices to the tune of a muffled, and possibly mangled, kazoo.
Here is a movie of extraordinarily simple pleasures, about a boy who crushes hard on the new redheaded girl at school and whose dog writes a compelling bit of fiction that details his most recent clash with the Red Barron. There is absolutely nothing here that you haven’t seen before, be it in previous incarnations of ‘Peanuts’ in celluloid form, in the comic strip or in any middling bit of entertainment aimed towards children 6-12. Surprisingly, in the comfortable and safe confines of unremarkable direction familiarity does not breed contempt. It breeds deep pangs of nostalgia.
I can’t even remember the last time I watched or so much as looked at anything ‘Peanuts’-related. It has to be at least a decade since, not counting, of course, the teaser posters that were unveiled last year for this film. Three years ago this project was announced, but I don’t know where I was. Sleeping on top of a doghouse, perhaps? (I have always considered myself more of a Snoopy than a Charlie Brown.) This November marks the 65th anniversary of the comic strip’s debut, and the 50th anniversary since the first TV movie, A Charlie Brown Christmas. The strip itself ran for half a century, debuting in 1950 and ending in 2000. Of course, its beloved creator, Charles M. Shulz, passed away the day before his final Sunday strip ran in the papers.
As any ‘Peanuts’ fan knows the strip wasn’t destined for continuation as the Shulz family felt strongly about Charles remaining its first and only drawer. That might partially explain why we don’t get anything even close to original in The Peanuts Movie, a product now 15 years removed from the end of a significant era. Shulz’s son Craig and grandson Bryan drafted a production that honors the legacy without stepping on any hand-drawn toes.
The formula requires introducing Charlie Brown (voiced by Noah Schnapp) to a “new” obstacle. Yes, he’s still having major issues with getting his kite to fly but when a new girl moves in next door, he finds himself with bigger fish to fry. Smitten by The Redheaded Girl, he remains paralyzed with fear when it comes to walking up to her and introducing himself. The conflict manifests as an amalgam of many smaller social anxieties good old Chuck has had in the past, be it overcoming Lucy’s bullying or avoiding Peppermint Patty’s advances: “You kind of like me, don’t you Chuck?” Charlie’s often been involved in love drama and that’s not the only thing that hasn’t changed here.
In the movie he must overcome his pessimism, and prove himself worthy of The Redheaded Girl’s affections.
In the movie he struggles, as he always has, to understand his place in the bigger picture when he aces a test and suddenly becomes popular.
In the movie he muffs the punt on the football, because Lucy is still a jerk.
The movie isn’t all about Charlie Brown, though. You guessed correctly. Snoopy, along with his trusted ally Woodstock (both of whom are given life thanks to archived recordings of Bill Melendez), dreams — writes, even — of the moment he rescues his own damsel in distress in the form of an exciting aerial adventure. The Red Barron, curse him, will stop at nothing to ensure Snoopy doesn’t succeed. A subplot as whimsical as it is perfunctory.
Here’s a production that manages to extend the legacy without expanding much of its horizon. It’s a win-win: we reap the benefits of being reunited with some of our favorite comic strip characters; the Shulz family will undoubtedly reap the financial benefits of the big screen treatment.
Recommendation: Good grief this is a nostalgic movie. Fans of ‘Peanuts’ should and probably will see this regardless of anything I write. I think it’s kind of telling that this is the first G-rated film I have reviewed on the blog. I just couldn’t resist diving back into this world, even if it is exactly the same as when I last left it.
Running Time: 88 mins.
Quoted: “You say you’ll hold it, but what you really mean is you’ll pull it away and I’ll land flat on my back and I’ll kill myself.”
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