Night People

Night People movie poster

Release: Friday, November 13, 2015 (Ireland)


Written by: Gerard Lough

Directed by: Gerard Lough

This review is my sixth contribution to Mr. Rumsey’s Film Related Musings and my first of this month’s selections. I’d like to give my thanks to James for offering this one to me. 

Beautiful, haunting imagery and a few interesting ideas don’t quite coalesce to form a compelling whole in Night People, the feature film debut of Irish director Gerard Lough.

Premiering at the HorrorThon Film Festival at the Irish Film Institute in Dublin a few short weeks ago, this hybrid of science fiction and fantasy often finds strength in its darker themes revolving around deviants existing on the fringe of society as well as within its intriguing narrative structure, yet it’s often responsible for stranding viewers in the same awkward situation in which its central characters find themselves: twiddling their thumbs while killing time, hoping that something interesting will happen at any moment.

Two thieves enter an abandoned old house during the night with the intent of destroying it as part of an insurance scam. They find themselves with time to spare as they anticipate the next phase in the plan and reluctantly trade stories with one another. It is these passages of time that provide the bulk of Night People‘s runtime and lend it some sense of excitement.

The first story nested within Lough’s loose frame narrative, relayed to us by older thief Mike (Michael Parle), is the briefer and inferior segment, and deals with two friends, Robert (Aidan O’Sullivan) and Adam (Eoin Leahy), who discover a possible alien artifact that may or may not act as a portal to another dimension. They try to use the device to their advantage, assuming fame and fortune awaits them, but instead clash ideologically over how to harness its power and ultimately sacrifice friendship because of it.

The second half delivers more strongly on the promise of living up to its title. It immerses viewers into a seedy world that exists after the sun has set, introducing Claire Blennerhassett’s loner Faustina as a young entrepreneur who facilitates clandestine meet-ups for her wealthy and fetishistic clientele. She’s eager to move beyond this shady dating business and tries to do so by taking on a new client (Sarah Louise Carney) who seems different from the rest. Her needs are certainly fruit of another tree. The tasks introduce Faustina to a new set of personal challenges that call into question her sense of decency and morality.

Visually, there is a lot to admire in the film. Lough capitalizes on tenebrosity, restricting the shoot to predominantly nighttime settings that favor rustic locales and low light to conjure an eerie and often otherworldly vibe, a technique that occasionally comes across amateurish but every so often sparks the desired effect. Clearly a mood piece, what with a soundtrack that pulsates and buzzes with electronic beats that occasionally interrupt a little too much, Night People won’t be applauded for its acting nor editing — there are several jarring incongruences particularly regarding the latter — but there’s no denying this is a film of ideas.

Claire Blennerhassett in 'Night People'

Recommendation: This should attract a fairly sizable cult audience with its eerie, noir-esque vibes and its visual mystique. Clearly there is some work to be done in many aspects but Night People shows a director with ambition and talent. Keep an eye out for Gerard Lough. 

Rated: NR

Running Time: 108 mins.

Quoted: “Wickedness isn’t gender-specific.”

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12 thoughts on “Night People

  1. Sterling review as always buddy, the noir touches sound interesting. And speaking of noir, I just reviewed the steamy Body Heat and would love to hear what you make of it. Be warned, it’s very sexy stuff to read my review and watch the film.


  2. One of the things I like about your site Tom is that you put certain stuff my way that I haven’t heard of and this is one of those films. Not a perfect movie then, but perhaps worth a watch if and when it arrives on Netflix.

    Liked by 1 person

    • It’s my pleasure being able to introduce new films to my loyal readers and friends. I will say though, that it’s been James Walpole and his site, Mr Rumsey that has helped me do these. A few of them that he’s offered me to take a look at haven’t exactly been great but it is that sense of discovery that’s keeping me going. I love finding new things. Glad you appreciate them too. This will be worth checking into once it gets a more expanded release.

      Liked by 1 person

  3. Hmmmm I am a sucker for visual orientated films, I might give this one a go, it sounds interesting enough. And if its on youtube then there isn’t really an excuse not to! Nice write up mate

    Liked by 1 person

    • Yes, thank you my pink little buddy.

      And yes it is on YouTube but i’m not sure how available it is yet. I watched it as a press screener, but let me go take a look quickly to see if you can now watch it there. It premiered in Irish cinemas this weekend so I’m not sure if will be easy to find just yet.


    • Yeah, just confirming now. You can watch the old, Gregory Peck ‘Night People’ 😉

      When it does become more available I do recommend it on the visuals. Acting is pretty iffy and the concept is a bit hastily put together but there’s enough interesting here


  4. Hmm… I don’t know if I will watch this one. I happen to be on (my first and last probably) great movie streak. Because I love horror and thrillers I’m usually disappointed but they’ve been really good lately so I don’t know if I can risk messing up the streak with this one. It looks interesting though. I’ll let you know my thoughts if I watch it! Great review!


    • Thanks! It has its strengths and its weaknesses. Visually its gorgeous and pretty creative at times but the acting and execution of the plot could’ve used some work for sure

      Liked by 1 person

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