Greetings one and all. Thanks for joining Mr. Reilly and I for another edition of the John C. Reilly Factor — Thomas J’s latest character study. We move into September and back into drama with a look at a character I’ve only very recently been introduced to.
This month, I have to be honest, is a rather random selection. I’ve been patiently waiting for an opportunity to get to some of his bigger roles, like the glaring omission I still have in the form of his part in Gangs of New York. Perhaps there are other roles he has that I haven’t seen that are a bit more substantive than the last couple I’ve focused on. If anyone has suggestions, I’d glad to hear them and see where I can go next month. To find more related material, visit the Features menu up top and search the sub-menu Actor Profiles.
John C. Reilly as Dan Brown in Stephen Daldry’s The Hours
Role Type: Supporting
Character Profile: Dan Brown fits the profile of a typical 1950s husband. The sole breadwinner of the household, he goes off to work each morning at 8 to come home to a wife and child around 5. Soft-spoken, polite and generally easygoing, he seems a perfect gentleman. But beneath the surface there’s an emotional coldness about him, as Dan has been maintaining a distance between himself and his wife for some time. It has gotten to the point where he’s oblivious to his wife Laura’s increasing dissatisfaction with her lot in life as a housewife. On the occasion of his birthday, all Dan can say is how thankful he is of having a loving, caring wife. Whether he’s aware of quite how disturbed Laura has become being left alone at home all day every day, isn’t very clear. But if Dan says he’s happy then that’s all that matters, right?
If you lose JCR, the film loses: . . . not much. I don’t want to say Reilly is miscast here but he could certainly be replaced by just about anyone in this role. Dan is so peripheral he almost doesn’t matter. I watched this movie with the impression he had a much bigger role to play but this particular character simply does not bear much weight on the overall narrative. And it is certainly not a knock against Stephen Daldry’s drama. His film relies far more on the strengths of its female leads than those of the males, hence Reilly’s skill set isn’t really ever put on full display.
That’s what he said: “The thought of this life, that’s what kept me going. I had an idea of our happiness.”
Rate the Performance (relative to his other work):
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Photo credits: http://www.imdb.com