Release: Friday, August 7, 2015
Written by: Joel Edgerton
Directed by: Joel Edgerton
The Gift is a kind of addictive drug. The more of it you consume the more of it you want.
Considering this is the first time Australian actor Joel Edgerton has been in full control of a project, that may seem hyperbolic. However, the logic follows. Edgerton has proven over the course of a 17-year career on the big screen he’s able to do much with a bit of determination. And, well yeah, some pride and confidence. Edgerton’s not just talented but he’s principled. Criticism about projects he has chosen has rarely, if ever, questioned his faith in his own work. With resilience to spare, he continues to bear the marks of a reliable thespian. It would only make sense his efforts would translate to an altogether new aspect of filmmaking. This, the year 2015, would be the time to prove it.
The Gift, now almost three years in the making, is a gift to those who have kept the faith in him. As a mystery thriller it is incredibly tense, well-acted and the epitome of unpredictable. In it Edgerton co-stars alongside Jason Bateman and Rebecca Hall, who play a recently relocated married couple settling into the sprawling suburbs of Los Angeles from their native Chicago. While shopping for home supplies, Simon (Bateman, in a compelling, atypically dramatic performance) bumps into someone who claims to recognize him from their high school days, a socially awkward but seemingly harmless Gordo (Edgerton). While the timing isn’t convenient to catch up in the store, Simon promises they will be in touch.
Simon is a partner in a billion-dollar company. His wife Robyn works from home as a designer. From what we gather initially the pair are but two seeds swept up in the current of modern day living, one that all but necessitates independent career earnings to support a family. Their beautiful home alone is but a part of a larger picture of success, and Simon and Robyn seem very happy together. One afternoon Gordo drops in unannounced; Robyn invites him in for a tour of their abode, not wanting to be rude to Simon’s ostensible old friend. This leads to a pleasant dinner later that evening, during which Simon and Gordo finally do some of that catching up. Most of it is casual chit-chat, but Edgerton being Edgerton, his character possesses a depth that jumpstarts his former classmate’s uptightness. An uptightness that gradually morphs into paranoia. Paranoia that evolves into legitimate suspicion.
The Gift is also written by the Aussie. On that front he proves himself a talent to keep watching, crafting a perpetual shape-shifter that creates at least as many questions as it does answers. That should be taken as a compliment of the highest order when it comes to the genre. Beyond an acting showcase — show me the role in which Jason Bateman has been better (or Rebecca Hall for that matter) — the film, particularly in its final moments, offers an adrenaline rush that manifests more as a high than anything else. Indeed if The Gift is a drug, it’s good for both the brain and body.
In an auspicious directing debut, Edgerton provides more than just sound narrative structure and an atmosphere in which his co-stars have clearly flourished — nevermind the fact that he shot his own role two weeks into production and in the span of a single week. He’s made his stance on childhood bullying abundantly clear. And of course he’s not content to stop there, evolving the conversation on the long-term effects of that infuriating reality into a discussion about how it takes a much darker and potentially more harmful turn when applied to adults engaging in such shameful behavior. If someone is looking for a fault in the film it’s that perhaps the issue is handled a little less than subtly in the pulse-pounding conclusion but that’s so incredibly secondary to the fact that he has taken this issue seriously, as it ought to be.
Recommendation: If you’re in the mood to be toyed with psychologically Joel Edgerton has the perfect film for you. Filled with deeply emotional performances and a wicked final (double) twist, his first shot at directing should earn him a score of new fans. This is pretty exciting stuff from a guy who’s always been reliable as an actor, and it’s safe to say this will go on to become a favorite for fans of the mystery thriller and intelligent, provocative filmmaking in general. The Gift is one of 2015’s greats.
Running Time: 108 mins.
Quoted: “Good people deserve good things.”
All content originally published and the reproduction elsewhere without the expressed written consent of the blog owner is prohibited.