Release: Friday, May 8, 2015
Written by: John Scott III
Directed by: Henry Hobson
In defense of a very deliberately paced, melancholic film misleadingly billed as a thriller, Maggie serves as Arnold Schwarzenegger’s finest hour (and a half).
Of course, describing Arnie’s role here as the best thing he’s ever done may seem a relative compliment. There has been no shortage of instances in the past where he has invited parodical criticism without trying. Admittedly memorable, if not slightly comic phrases — most lasting no more than five words or so — have come to define the hulking Austrian and his career as an actor.
It’s just as understandable that many would automatically dismiss as fruitless any attempt he might make to go another direction; to not use his accent as a term of endearment or his muscular bulk, now slipping a bit in his older age, as a force to be reckoned with. When it comes to Henry Hobson’s directorial debut all that remains of the familiar Arnie is his larger-than-life physicality, but even that is somewhat tempered by Claire Breaux‘s suitably understated wardrobe selection.
Rather than obliging himself as some sort of perceived menace or spectacle he’s simply Wade Vogel, a father who must sit and watch as his only daughter succumbs to a deadly virus that converts the living into flesh-craving zombies. Broad shoulders slump; a tough face wrought with wrinkles brought on by wariness. A spirit broken by the knowledge that the ugliness of this apocalyptic event has hit home since Maggie was somewhere she should not have been.
Triumphing over the ubiquitousness of a zombie apocalypse is the love Wade has for his daughter (Abigail Breslin). The relationship is front-and-center, making the film steadily more challenging to endure. Maggie takes its time in tracking the virus as it takes hold of her, though the slow burn isn’t done any favors by the ‘thriller’ classification. There are as many thrills in Maggie as there are desperate pleas from Arnie for his family to get to a chopper. Still, where there isn’t much in the way of action and excitement there also isn’t really a place for it in this deeply personal examination of a family in crisis.
It almost goes without saying that Arnie’s young co-star delivers a heartrending performance as well. This isn’t quite as memorable a lead as her beauty pageant hopeful in Little Miss Sunshine, yet Maggie is a role she can be truly proud of. Breslin embraces a thoroughly challenging character arc, effecting a personality that’s easy to empathize with. Of course, she is a teenaged girl and this is the apocalypse, so who knows what she’d be like under different circumstances. That’s beside the point, though. Together, Breslin and Schwarzenegger make for a fantastic duo that instantly gives this story heft.
There is something to be said for Maggie‘s relentlessly bleak outlook. This isn’t a happy movie. A conclusion seen a mile away, there isn’t a great deal anyone (least of all Wade) can do except hope to be as prepared as possible when the illness takes over completely. A hauntingly beautiful score permeates deep, draped over many a scene like a dense fog, arguably contributing further to the sense of futility in fighting the inevitable.
Though the scene is a zombie outbreak, the allegory isn’t exactly hiding. Maggie’s torturous transition from human into something less than so — more accurately, Wade’s refusal to turn her over to the authorities, preferring to care for her as long as he can — undoubtedly reflects the strength of families afflicted by cancer and similarly devastating diseases. In that context especially, Schwarzenegger doesn’t seem to be the go-to guy. But he’s brilliant. He carries the burden of this tragedy so well it’s difficult to believe this was at one point (and soon to be again, apparently) the Terminator.
Recommendation: An emotionally devastating piece that doubles as a fascinating spin on the ever-popular zombie genre, Maggie isn’t for the casual watcher. This one takes a little determination, but the reward is watching Arnie transition from a physical to a true actor, and witnessing the chemistry he and the young and talented Abigail Breslin have together. That’s how I’d recommend the film: for great characters. I’d also recommend a couple tissues, they might come in handy.
Running Time: 95 mins.
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