Release: Friday, January 16, 2015
Written by: Morgan Davis Foehl
Directed by: Michael Mann
Even with an hilariously miscast Chris Hemsworth, Blackhat is utterly forgettable.
Something that’s less forgettable is its horrendous opening weekend performance. Set against a budget of $70 million, Michael Mann’s cybercrime would-be-thriller brought in a grand total of $1.7 million in its debut, necessarily deeming Blackhat one of the biggest box office bombs in cinematic history given its wide release status.
At best, the pairing of a Hollywood hunk with a predominantly international cast is amusing if for the opportunity to count all the ways in which the film panders to a global audience. If that wasn’t enough, the lack of chemistry between the towering Brit and his computer hacking buddies — Leehom Wang’s Chen Dawai, and Wei Tang’s Chen Lien, who are brother and sister in the film — are the glitches that bring this story to its knees.
Mr. Mann captures some compelling action sequences but the stunt work goes to waste when we’re having trouble even believing the actors in roles that have them staring at computer screens for most of the time. Hemsworth plays Nick Hathaway, a computer hacker serving prison time because he’s a real bastard behind keyboard and mouse. His direct involvement isn’t made clear right away, but two major events occur at the film’s open that we’re meant to pay attention to (but can’t because they’re somewhat trivialized by a confusing series of shots detailing the inner workings of computers): a nuclear reactor in Hong Kong experiences a catastrophic coolant malfunction, while the Mercantile Trade Exchange based in Chicago gets hacked.
Whoever’s clever enough to hack these systems is going to have to answer for the damage, or so say some stern-looking Chinese government officials. They enlist the help of the FBI, in the form of Agent Carol (Viola Davis in an ironic performance; her voice is so monotonous she sounds more of a computer hacker than anyone else) in bringing those responsible to justice. At first, everyone believes these attacks to be the work of Thor. They may as well be. Hemsworth-as-hacker is about as out of place as his demigod was on Earth.
Hathaway’s asked to help solve the crimes together with Dawai and the FBI in tow, but his condition is that his prison sentence be commuted and that he gets to have the cute girl in the end. Though he does not make the second request, you know this is happening regardless. And how. Talk about some majorly underdeveloped character arcs. The team are soon bouncing all over the globe in an effort to track down the cyber terrorists, who are now aiming to take out more nuclear reactors in order to flood an expansive tin mine in Jakarta, Indonesia.
The terrorists’ goals aren’t exactly revelatory but they work well enough to assume a threat. But in a movie like Blackhat, where more time is spent deciphering code and, apparently, studying the inner workings of hard drives, the real world doesn’t take center stage. Or when the threat finally becomes truly palpable, any audience member not in possession of a degree in computer science has long since tuned out. An error message reads on the front of their foreheads: this does not compute. This does not compel.
The director should be credited for his commitment to getting things right. The focus on the technical aspects, even if excruciatingly boring at times, is impressive. Unfortunately computer screens and staring at endless code sequences — unless we’re in the Matrix — do not on their own make for an interesting product. Then, when we get to the action sequences they’re too short-lived to make much of an impression. I suppose I could keep going here, but the review might get a little mean-spirited. I’m no blackhat critic, out for malicious intent. Out for revenge upon the world just because.
I just happen to think this movie vastly underserves both its audience — on either side of the Atlantic — and its particularly timely themes.
Recommendation: Blackhat has grand aspirations but it squanders them in a navel-gazing screenplay that is more interested in getting underneath the keyboard instead of into the minds of some high-profile cyber-terrorists. Fans of Chris Hemsworth will also be wise to stay clear of this one, this isn’t his best effort. I’m not even sure if I can recommend this one to the geekiest of computer geeks.
Running Time: 133 mins.
Quoted: “You are no longer in control. . .”
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