The Wind Rises
Release: Friday, February 21, 2014
Hayao Miyazaki’s final film is poetry in motion. It was also Oscar-worthy this year, receiving a nomination for Best Animated Feature. Unfortunately the spotlight fell upon Disney’s Frozen in a move no one is really going to call surprising. It is unfortunate only because this is a film that deserves more than just the tip of the hat. Its a hats-off kind of motion picture event, not just because of the gorgeous animation but due to its epic sweeping narrative that has the presence of mind to include a heartfelt romance, engaging historical context and a dreamlike, thought-provoking perspective.
The Wind Rises is the Japanese artiste’s eleventh outing as a director whose filmography dates back to 1979 and includes the likes of critically and commercially successful animations such as Castle in the Sky, Porco Rosso and Spirited Away. If Miyazaki’s other works are as colorful and emotionally satisfying as this film — and according to major sites, they seem to be that way — we are looking at a unique director insofar as he’s in a tier of consistently satisfying filmmakers that a great many will fail again and again at breaking into.
His swan song concerns the fascinating life and career of a hardworking and intelligent Japanese youth named Jiro (voiced by Joseph Gordon-Levitt in the English language version), as well as his quest for finding love and happiness in the arms of a woman.
The film opens with a young boy going for an early morning joy ride in a single-propeller plane mounted to the top of his parents’ home before things take a turn for the ugly. As it so happens, this all occurs in a dream sequence. One of the focuses of Miyazaki’s film is that Jiro tends to live a life filled with these. Unfortunately he is also acutely near-sighted, a condition that disqualifies him from ever becoming a pilot. So he decides to dedicate his life to working on planes. In time he would carve out a career as one of the world’s leading aerospace engineers. His efforts almost single-handedly propel his country into the forefront of technological advancement during the years of World War II.
The Wind Rises is filled to the brim with gorgeous animation. You’d have to dig deep to find another film not made by this master of animation that is as vibrant and passionately detailed as it (okay, one that’s also not this year’s Oscar winner). The sky is a robin’s egg blue canvas upon which planes streak like paintbrushes in little strips of white, diving and soaring. The places in which major character developments occur epitomize the romanticism in Miyazaki’s farewell film. Sunsets bleed oranges and reds. After watching, one tends to carry around in their memory vivid snapshots of the film’s strongest images, including the one found on the movie poster.
Color doesn’t just apply to the artwork, though. Characters bubble with eccentricities, and this includes our protagonist. Although Jiro remains as a relatively static character in terms of his genuine likability and affection for aircraft, it’s his obsession that makes him a curious specimen. As previously mentioned, he daydreams often and is frequently teased about this by some of his peers, including another brainiac named Honjô (John Krasinski). Jiro’s boss straight out of school is a comically short and ill-tempered man (Martin Short) who grows to appreciate Jiro as a company asset. This man’s greatest quirk is his hair, bouncing up and down whenever he moves or yells. Other, lesser characters are also imbued with some cartoonish elements as well.
What really distinguishes this anime, though, is its level of realism. A great many films that fall into the category of ‘anime’ tend to really overdramatize the stories they tell — such is the appeal of the genre. Characters’ voices are manic, their mouths and bodies move frenetically and the action surrounding them often can be chaotic to the point of causing headaches. By contrast The Wind Rises is patient, perhaps even a little plodding at times. At over two hours in length, it’s a sprawling journey that not only pays homage to a troubled nation in a time of great crisis, but one that features a tender love story at its center.
When in the earlygoing Jiro helps save a young girl named Naoko (Emily Blunt)’s maid by carrying her from the site of a train accident following a massively destructive earthquake, he seems to win her affection then and there. It would be many years before a chance run-in with the same woman, Naoko, would reunite the two. The couple’s passion for one another feels real and honest; sweet and worth the time required to buy into it.
Slow pace aside, The Wind Rises is a breathtaking production wherein style beautifully complements the spectacle.
Recommendation: Here is a thoroughly engaging film that many should spend the time watching, in whatever format they possibly can. It’s historically significant and emotionally rewarding. I, for one, have a great deal of homework to do as I attempt to go back and invest myself in Miyazaki’s other equally praise-worthy films that have been created over the course of several decades.
Running Time: 126 mins.
Quoted: “Airplanes are just cursed dreams, waiting for the sky to swallow them up.”